Friday, December 26, 2008

I'm not a big Boxing Day guy, but here's a great sale from the Zunior.com music store website:
Zunior.com Boxing Day Sale!
2-for-1 On Selected Albums

Hundreds of selected albums only $4.44

For the fifth year running, we are proud to present the Zunior Boxing Day Sale. Stop by on December 26 for a blowout 2-for-1 sale on selected albums from all of your favourite Zunior labels/artists. The sale just keeps getting bigger every year and we guarantee you will not be disappointed.
Load up that new MP3 player you got for Christmas at Zunior.com on December 26!
I've been enjoying using Zunior.com this year, where I tend to find many of my favourite Canadian bands and labels. It's well laid out, easy to use, and the downloads don't have any Digital Rights Management encoding you find on other sites that makes you feel like you don't own the music.

A number of my favourite albums from 2007 and 2008 are on sale including:

Ohbijou - Swift Feet for Troubling Times
Elliott Brood - Mountain Meadows
Two Hours Traffic - Little Jabs
Royal Wood - A Good Enough Day
Wintersleep - Welcome to the Night Sky
Great Lake Swimmers - Ongiara

I'm buying a few albums I've been meaning to pick up and have heard nothing but good things about:
Jenny Omnichord - Charlotte or Otis: Duets for Children, Their Parents and Other People Too
The High Dials - Moon Country
Luke Doucet and the White Falcon - Blood's Too Rich
Justin Rutledge - Man Descending
The Bicycles - Oh No, It's Love

You can pay safely by credit card or Paypal, so swing by and check out the sale.

Thursday, December 25, 2008

Christmas Star 10691


Merry Christmas, Happy Hanukkah, and all the best spirits of the season, whatever you celebrate. My gift to you is a little peace, love, and understanding. Pass it on.

Tuesday, December 16, 2008



The band Stars have this ability to reach beyond the limits of the stage and connect with the audience. It's almost tangible the way they seem like they're singing to each person in the room as an individual, as if to say "we know your joy, we know your sadness, we know the life that beats within you and yearns to burst from your chest". They connect with the collective emotional narrative within their audience and unite us.

One of the best bands going in Canada's indie music scene, Stars delivered a show that felt like a gift to their fans. I caught them last Thursday on the 1st of a 3 night stand. Toronto loves Stars, and Stars love us in return. It's a homecoming for this band, formed in Toronto. It seems like every time they're here they play multiple nights at mid-size venues. They could sell-out larger venues, but that would remove them farther from their audience. This is the 3rd time I've seen them this year, and Stars played their hearts out just like every other time.

Opener Gentleman Reg warmed up the crowd with his sweet soaring vocals and charming the audience with laments like "no one should be broke and alone during the holidays." Here he is covering Wicked Game, originally by Chris Isaak. Or at least, that's what I always thought until Reg informed us with tongue firmly planted in cheek that he wrote it for Chris, you know, to help him out. He may have sent an email or something. I saw Reg play this version in the Dakota Tavern days earlier, and it was just as sparse and haunting there as it was in that theater. It's like Chris Isaak by way of Massive Attack:



Stars took to the stage strewn with flowers, launching into the opening declaration The Night Starts Here, with Amy and Torq's vocals playing off each other perfectly, Chris Seligman on keyboards providing the twinkling pulse. As they tore into the rallying Take Me To The Riot Torq motioned for everyone in the seated theatre to come forward and get up close to the band.

That whole night, it seemed like every song they played was someone's favourite. My friend was dancing to Elevator Love Letter, the happiness so apparent as she sang along that the girl standing next to her asked her later "That song, the one you looked like you loved? Which album is that on?" (The answer is "Heart".) Every once in a while I'd look back into the audience watching the band, their faces captured in "beautifully frozen intensity", all of us connecting in shared experience of the love of the music.

For me it's two ends of the spectrum. I never get tired of the wild youthful abandon that comes with the anthemic guitar chords of Ageless Beauty, with Amy Millan's voice leading you through the ups and downs of the song.

And at the other end, there's the indomitable emotional resolve of Your Ex-Lover is Dead declaring softly "live through this, and you won't look back...", then the punch of last words picking up speed:
there's one thing i want to say, so i'll be brave
you were what i wanted
i gave what i gave
i'm not sorry i met you
i'm not sorry it's over
i'm not sorry there's nothing to say
...leading into the final refrain as you rise up, the music beating like your heart when you have to walk away and never look back.


Stars performing Your Ex-Lover is Dead at Queen Elizabeth Theatre, Toronto

At times, the bands gets caught up in the emotion of their songs. There was an intensity to the closing of Calendar Girl as Torquil Campbell poured everything into the ending refrain of "I'm alive!" shouting it over and over and over into the night, even after the music stopped, until Amy tapped him on the shoulder to snap him out of it so they could do the next number.

You'd think a band like Stars could take themselves too seriously with so many songs seeming to be born straight from their own hearts, but I point to this photo of Torq, Amy and Evan having a laugh:

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The show ended with their heartfelt gratitude to us, as we walked into the chilled night, and it sounded like everyone was singing or humming their favourite Stars tune. Stars look to be heading back to the studio to follow-up on the critical success of their last full album In Our Bedrooms After The War, leaving us to go back to our albums and CDs, to listen to the songs we love, and to go out into the world feeling that much more alive.


Do yourself a favour and watch the band's video for Your Ex-Lover Is Dead, a favourite of mine that reminds me of the movie Eternal Sunshine of The Spotless Mind.

Monday, December 15, 2008

What started out as an invite to check out Kevin Drew play at The Dakota Tavern turned into a remarkable night where I'm bumping elbows with some incredible musicians, drinking beer with Kevin's science teacher and parents, sharing the love of music with other fans, and generally carousing in a bar that took on the intimate feel of a kitchen party or a social. I suppose the band's called Broken Social Scene for a reason.

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Jason Collett has been hosting his second annual The Basement Revue series on Tuesday nights in December at the Dakota Tavern, a gem of a downstairs bar tucked into the Dundas and Ossington neighborhood of Toronto. The shows feature Jason hosting and performing in the bar, with many friends and performers contributing. The only date he couldn't make was December 9th, due to a previous engagement on the west coast. So for the night, hosting and performing would be Jason's bandmate in Broken Social Scene, Kevin Drew. I was given the heads-up to check out the show, as the plan sounded like it would be Kevin Drew playing with The Beauties, covering some Pavement tunes.

I made my way to the bar to take up a nice position to the left of the stage. As I sipped on my pint, I struck up a conversation with a woman who turned out to be Kevin Drew's science teacher from high school. She had come down with her co-worker to see her former student on her birthday. Her friend Lesley gave me some of the scoop on this remarkable woman, a teacher for 35 years and now the head of the Association for Canadian Educational Resources, a volunteer organization that monitors ecology and measures the impact of climate change on biodiversity. Check out the site and it's Measure Up program, which goes beyond tree planting as a “dig, plant, and walk away” activity. Retired from teaching and she's out there digging in the dirt planting trees. Brilliant.

"Kevin always was able to draw people to him, even back then."

- Alice Casselman, Kevin Drew's high school teacher.

You know how in high school, if you're luck enough, you get one of those teachers who connects with you, motivates you, has that knack for relating to students? You know, one of The Good Ones? I could immediately tell Alice was one of the good ones from the way Kevin lit up when he saw her there in the line-up. I could tell from the way she asked about what brought me to see the band tonight, and how she asked me if my love of music was something that was part of my work. She still is one of The Good Ones, because when I told her that my job didn't involve music, it left me pondering a bit afterwards.

As the bar filled up, I started recognizing a few faces in the crowd, as it seemed like there were as many musicians as fans in the Dakota that night. And I started to suspect that things would get interesting. I'm in a 200-capacity bar and I'm bumping into members of Stars, Metric, a few other musicians from the Arts and Crafts record label. Brendan Canning and Charlie Spearin and others from members Broken Social Scene were in the house. Shawn from The Beauties came by and tipped me that this would be a hell of a night. No doubt my friend. I didn't have my camera on me when I got the call about the show, so all I had was my cellphone camera to capture the night in all it's "you had to be there" glory. record label. Squeezing by to say hi to Kevin was K-OS and over there was Darcy Yates from Flash Lighting with his mighty rock and roll beard.

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Kevin Drew took the stage, informed/warned us it would be a bit of a fast and loose night. First up was Kevin teamed up with a Derek Downham on drums, Charlie Spearin on guitar (I'm blanking on the second guitarist) and proceeded to pick a chord and jam for a bit - “This is a C jam”. When asked for an impromptu name for the band, the shout came back “The Jason Collett Band”. I think I would have gone with Alice's Birthday. Kevin played a couple bars of a Smashing Pumpkins, lamenting the fact that he used to love them and now Billy Corgan just harrasses the crowd at his shows, only playing the new material that's a shallow imitation of the band Kevin and many of us loved.

I was introduced to Kevin Drew's parents at one point, very friendly people. His dad said that at some point his name was changed to “Kevin Drew's Dad”. I didn't get the chance to ask anyone if the were looking forwards to seeing David Drew's Son play that night. I chatted with new friends about that first time we heard Broken Social Scene's 2002 album “You Forgot It In People”, one of those album you hear and nothing is quite the same after that.

From there, things started to pick up steam as an indie rock variety revue developed. Gentleman Reg took the stage and played a lingering cover of Wicked Games by Chris Isaak. Jimmy Shaw from Metric got on the stand-up piano tucked into the side of the stage and played Nobody Home from Pink Floyd's "The Wall". Musicians would be called to the stage, only for Kevin to discover they'd snuck out to The Communist Daughter, another well-loved little bar just across the street. It happened so often, I pronounced the Commie as the unofficial Green Room for the night.

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Kevin Drew and Amy Millan

Amy Millan from Stars was found and did a few numbers, and oh Lord what a voice. Derek Downham kept getting called back to the stage to drum with one musician or another he used to play with. Poet Mark Goldstein of Bookthug publishers read a poem or two. Jimmy Shaw teamed up with Torq Campbell from Stars for a number. Here before us were musicians playing for the love of music, no albums being pushed, no merchandise table in sight.

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A Broken Social Scene erupts

Inevitably, it was time for a game of “how many indie musicians can you fit on a stage” as Broken Social Scene formed on stage for a few songs with Torq on trumpet, Justin Peroff on drums, Lisa Lobsinger singing. The beauty of a collective like Broken Social Scene is it can form with whomever is at hand. The crowd, mesmerized by the intimacy of the first half of the night, were dancing and singing along as Broken Social Scene played Shoreline and Love is New.

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The Beauties

Things got euphoric, things got hazy at that point. I remember Kevin teamed up with The Beauties for a cover of Pavement's Gold Soundz that had me grinning and whooping. The Beauties proceeded to knock out the crowd with a few songs of their own like Die Die Die before killing with a version of the Velvet Underground's I'm Waiting For The Man that drove the energy in the bar up until you thought it would explode.

As the night wound down, I remember Bill Priddle jamming with Kevin. I remember Bill from Treble Charger (he wrote Red among other songs and left in 2003), Broken Social Scene and now in The Bill Priddle Concern. The night closed out with Kevin noodling on drums, and then he came by, shaking hands and, thanking us for sticking around for the whole show. I thanked him, because I can't conceive how you could duplicate that sort of night.

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Torq Campbell and Jimmy Shaw

I left that bar after last call, walked into the night thinking about what I learned that night and thinking about some potential that's waiting for me. Like I said earlier, nothing was really the same after I heard Broken Social Scene's album "You Forgot It In People" back in 2002. I dug out my worn and loved CD today and noticed the album was dedicated "for our friends, families and loves." That Tuesday night at The Dakota Tavern, I got to see exactly where that dedication came from, whether it was meeting teachers and parents that influenced these musicians, seeing old bandmates get together again, or hearing these performers cover songs that they love enough to honor in tribute. Know what you love, remember where you came from, and acknowledge the people you draw strength from. All that and some good music will get you through the night.

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Jason Collett returns to host The Basement Revue this Tuesday. The shows are sold out but if you can wrangle a ticket, I strongly encourage you to go: you never know who's going to drop in. Stars have just finished a 3 night stand in Toronto and are looking to go back to the studio. Kevin Drew and the rest of Broken Social Scene is making the trip to New York City to play The Late Show with David Letterman on Wednesday night (reminding me of seeing them on Conan O'Brien a few years back, where Conan came on stage after to cry out “I think we need more guitars!”). Gentleman Reg just put out a single for the first time on vinyl, and look for his new album in the new year, along with Metric's next disc. The Beauties play Sunday nights at The Dakota Tavern and have a 4-track EP “Die Die Die” out now.

All pictures copyright the2scoops - Flickr here

Thursday, December 11, 2008

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As some of you may have heard, I had myself an interesting night when I was invited to The Dakota Tavern in Toronto to check out the the Basement Revue. It's the second annual installment of shows every Tuesday in the month of December with musician Jason Collett hosting and performing. The only Tuesday Jason couldn't make it was the December 9th show, which was hosted by Jason's bandmate in Broken Social Scene, Kevin Drew.

What started out as "come by and check out Kevin play Pavement cover-tunes with The Beauties" turned into one incredible night of performers. Among the people I met that night was a writer from the National Post, and our conversation, fuelled by beer and a love of Canadian indie music, turned into his review on the National Post website yesterday. I only had my cellphone camera with me (I am never leaving home without a proper camera again. Ever.) but some of the shots are on the Post's site, and the camera-phone pictures sort of work with a "you had to be there" feel of the night.

I'm seeing Stars tonight, so I'll post my own version of events tomorrow afternoon.

Tuesday, December 09, 2008

It seemed like Rita's Broken Social Birthday Party as Broken Social Scene took over the Sound Academy for the second of a two-night hometown stint on Friday November 28. Broken Social Scene came on to play for about 3 hours, with Scene-sters Emily Haines and Jimmy Shaw of Metric making a welcome return. A jaw-dropping surprise came as Isaac Brock of Modest Mouse took the lead for a few tunes with BSS. The celebratory feeling in the air coincided with my friend's birthday that night, making us feel like it was just one big indie-rock birthday party for Ms. Rita, with a balloon drop at the show, drinks at The Dakota and a stop in Chinatown for food at 4am.

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The Beauties opened the night with the crowds pouring in, wailing away on tunes like "Wastin' Time" and feel good rockers like "Die Die Die" and "Baby Outta Jail. They looked to be having a blast, celebrating the release of their 4-track EP, playing that wild bar-frenzy of bluegrass/rock/rockabilly/punk. A brilliant cover of the Velvet Underground's "I'm Waiting for The Man" led to a closing jam with guests Serena Ryder and Lisa Lobsinger joining trumpet player Michael Louis Johnson for "Do What You Do". For more of The Beauties, be sure to drop in at The Dakota Tavern for their weekly Sunday night barn burner.

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As the opening bars of the Top Gun theme played (yes really), Broken Social Scene took to the stage, and didn't stop for about 3 hours. Broken Social Scene is a beautiful, shambling beast with upwards of 20 musicians, each with their own bands and solo albums, coming together to make something wonderful. Members of Metric, Stars, Do Make Think Say, as well as artists like Apostle of Hustle, Feist, Kevin Drew, Jason Collett, and Brendan Canning are all part of the group, and the live shows are always a treat as whomever isn't in the studio or touring themselves tends to show up. One of my favourite "everything is different once I've heard it" albums is Broken Social Scene's "You Forgot it In People"(2002), like nothing I'd heard of at the time. Seeing them play those songs live just gets me every time.

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The set roamed through K/C Accidental and Fire Eye'd Boy, then we started detouring as different members of BSS took turns playing one of their songs. I love that each artist has their own sound, but manage to come together in Broken Social Scene to make something completely different. The air was charged with the sense that it was a special night, with balloons suspended from the ceiling. We were lead in cathartic screams to release all that we held inside, Kevin Drew was funny as he picked on the chatterboxes in the crowd and the VIP deck. And it was a celebration that night, as the band was playing without necessarily plugging any one current project or album. Everyone was just having a good time.

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At times upwards of 20 musicians were on stage, with 5 guitars and full brass blazing away in frenetic anthemic rock. And then Kevin introduces a guest. It's Issac freaking Brock from Modest Mouse. He comes on and they all play "The Good Times Are Killing Me", which makes a pretty good theme to the night.


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A few songs later and the next surprise as Emily Haines of Metric appeared! She's been part of BSS for years, but has been on the road and in the studio with her own band Metric. Her vocals paired with Julie Penners violin made "Anthem for a Seventeen-Year Old Girl" a highlight of the night.

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A quick costume change, and then Brendan Canning came back out bedazzling in gold sequin gym shorts for a grooving disco-rific "Love is New".

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We were encourage to scream - take everything that holds you back, holds you down, makes you anything less than you, and scream that shit out.

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The night culminated in a balloon drop during "Ibi Dreams of Pavement". I've seen Broken Social Scene play a number of times, and this was one of their best nights.

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An appreciative band wrapped up the night, followed by Brendan Canning and a few others came out after most of the crowd cleared out to thank those of us who stuck around. Rita told him "It's my birthday" to which he answered with a kiss of the hand. Class act that guy.

We left the club elated, alive, and ready for whatever happens next.

My photo sets:
The Beauties at Sound Academy

Broken Social Scene at Sound Academy

Setlist: Broken Social Scene Setlist Sound Academy, Toronto, Canada 2008 setlist.fm

And a good video collage of the show:

Monday, December 08, 2008


There are times you should be proud of Canada and the music we're putting out into the world. A couple of weeks ago, I got to see a solid sold-out triple-bill of some of the rising stars of the indie-music scene as The Acorn, Ohbijou, and The Rural Alberta Advantage rolled into Lee's Palace and put on a solid show from start to finish. Best $10 ticket I ever bought, and it will seem like a bargain when these bands all start to headline their own seperate gigs.

The opening set from Edmonton's The Rural Alberta Advantage had just started up when we got into Lee's Palace, and the Edmonton-based trio's indie folk-rock got the night of to a strong start with their upbeat energetic percussion and narratives that took me back to the long drives across the prairies of my youth. My interest in them came about from picking up their well-reviewed debut album Hometowns (2008) as part of my eMusic subscription, and that live show got the crowd happy and moving right from the start.

The RAA Don't Haunt this place (mp3)
The RAA Frank, AB (mp3)

Next up was the hometown lovefest for Toronto's Ohbijou, who've been touring with The Acorn in support of a collaborative 12" EP, with The Acorn covering 2 Ohbijou tracks and vice-versa (the entire album can be heard streaming on the Kelp Records site). I'd heard good things about Ohbijou following both a strong debut album Swift Feet for Troubled Times (2006) and a performance I missed at Harbourfront. I had no idea what I was in as guitars, cello, violin, drums and keyboards took the stage. From the first rapturous notes sung by guitarist/composer/singer Casey Mecija, I was hooked on this band, probably for life. Their songs were full of urgent strings and soaring harmonies that bring to mind walking through Toronto's downtown neighbourhoods during that first snowfall of the year. Casey looked pleased to see the crowd, calling out to her and her sister/violinist Jenny's parents out in the crowd. They played a song or two that Casey said would be on their new album, due in the spring. No idea which label is distributing, but they should jump at the chance to release such a band that's bound for glory.

By the time Ottawa's The Acorn hit the stage, I was thinking the night couldn't get any better. The Acorn's critically acclaimed Hope Glory Mountain was a highlight of my listening year. The album is named after it's subject, Gloria Esperanza Montoya, mother of lead singer Rolf Klausener, and it lovingly, beautifully, tells her life story from Honduras to Canada. The songs run over rivers and mountains with layered percussion rhythms and passionate vocals that give a global taste to the music. The live show was passionate and charming, culminating with an encore that saw Ohbijou and The Acorn collaborate on some of the songs from their EP. The look of joy on their faces let you know these musicians love the music, and love doing it together.



Video for one of my favourite songs, The Acorn's "Crooked Legs" (h/t to Stereogum)

I think about some shows I've been to before, those ones that you keep telling people "I was there before they really got big". This show will be one of those stories as each one of these bands made a lifetime fan out of me and many people in that crowd.

Tuesday, December 02, 2008

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Got invited to a marketing event/tasting for Ketel One Vodka, so J and K headed down to Czehoski on Queen. My only real experience with vodka has been casual, mixed in cocktails or drinks with the syllables "-tini" in it, so I was looking forwards to expanding my appreciation a fair bit.

Once we settled in to Czehoski, we had an informative little session with our Ketel One educator Beth-Anne: half-Irish, half-Maritimer, in her own words, marketing alcohol is a dream job. She covered the history of the brand, the process involved, and led us into the tasting.

Our vodka tasting contenders: Ketel One, Grey Goose, Absolut. That's two premium brands, one bar-rail brand.

A little whiff, a little taste, and damned if my first impression didn't stick. Grey Goose and Absolut met my previous expectations - tastes like booze and I need to mix it with something. The Ketel One was smooth enough to enjoy straight up. No word of a lie, I was sold on first sip. All that talk of filtering and distilling paid off.

After the tasting, we were treated to a cocktail. I swear, that was the best and smoothest martini I've had. The Ultimate Martini, just Ketel One vodka and two olive. That's it, simply delicious.

It's pretty smart to market a premium vodka like Ketel One (couple bucks more than Absolut, but cheaper than high end) at a time when the economy is nose-diving like it is and belts are tightening. You're going to see entertaining at home is a cheaper option that going out for drinks and dinner, and springing for a bottle of premium, like Ketel One, may soften the sense that you're "cheaping out" by staying in with a bottle of No Frills Vodka. If I'm entertaining at home, mixing up a few cocktails and tunes is my preferred way to go.

I've actually taken to ordering martinis since the event, and call it the "Don Draper/Mad Men" effect if you will, but it certainly makes an impression.

Kudos to Matchstick Promotions and Diageo for hosting a great event: food from Czehoski's was delicious, a couple of martini's, a gift bag, and a taxi slip to get home. That's a smart little promotion. Thanks to Beth-Anne for the hosting as well.

Damn those were good martinis.

Saturday, November 29, 2008

Been a big week and I've put aside Sunday as my blogging and picture sorting day:
  • I found my ultimate martini at a Vodka Tasting sponsored by Ketel One
  • Thursday night was a brilliant triple-bill concert with The Rural Alberta Advantage, The Acorn, and Ohbijou. It's sure to go down as an "I saw them when..." show, like seeing The Arcade Fire at the Horseshoe or Feist at Harbourfront.
  • Friday night was one of the best shows I've seen Broken Social Scene play. The Beauties opened with lively set, surely pumped by a huge crowd and the debut of their EP. Broken Social Scene came on to play for over 2 hours, with Scenesters Emily Haines and Jimmy Shaw of Metric making a welcome return, and a jaw-dropping surprise as Isaac Brock of Modest Mouse took the lead for a few Modest Mouse tunes with the band. It was just one big indie-rock party of love.
I have a couple hundred photos to cull to find the dozen or so I like. In the meantime, for those of you who caught the show "How I Met Your Mother" on Monday, here's the complete copy of Lily's list of 50 Reasons To Have Sex. A couple of them, like reason #39, are a funny callback to old episodes and character history, and #41 is amusingly disturbing but plausible.

Thursday, November 06, 2008

As I walk to the train, a couple is talking heatedly behind me.
Estimate expiry date of relationship based on the quote "you are
there as MY girlfriend!"

Wednesday, November 05, 2008



Sketches of American Presidents, via Accordion Guy

Congratulations to our American friends on the election of President Barrack Obama. On the TV, Reverend Jesse Jackson is in the crowd in Chicago, tears rolling down his cheeks, this man who stood with Dr Martin Luther King witnessing a moment when a nation lives a dream. America is a nation that gave us The Ramones, Iggy Pop, Chuck Berry, Johnny Cash and James Brown. Tonight, I saw a glimpse of THAT America.

I saw the pronouncement at 11pm on the BBC, and then caught The Daily Show pronounce. Jon Stewart looked choked up saying those words "Barrack Obama is President of the United States". A flash-mob gathered outside the White House, spurned by a text messaging wave at a nearby university.

I was impressed by John McCain's concession speech, where he spoke from his heart, geniunely, and urging that fractured nation to pull together. I wish we were seeing more of McCain in the future and less of Palin, but I suspect it shall be reveresed.

I stayed up to watch President Elect Barrack Obama's speech. He spoke of gratitude, of the immensity of this moment, and of the challenges that America faces. He's inheriting a role that finds so many things broken, "the climb will be steep". I'm Canadian, and I know that a great deal of what America does affects the world I live in. Barrack Obama isn't my president, he doesn't lead my country, but he has me believing, "Yes We Can." Change and hope it is then.

Thursday, October 23, 2008

See more Ron Howard videos at Funny or Die


The funniest thing I've seen all week, and reminding me how funny Ron was as the narrator on "Arrested Development"

Tuesday, October 07, 2008

Heart of a Saturday Night
(all photos by the2scoops/Jason Carlin - see something you like, drop a line)



6:45pm - Finished an 8 hour shift at work that dragged into 10 hours, leave the office and immediately hit Shopper's Drug Mart for supplies: Red Bull, trail mix, water, spare batteries for the camera. I'm determined to go as late as I can.

6:46pm - Curses! Left the flask of good rum at home. Now I have to rely on my scarf and gloves to keep me warm.

7:45pm - My companion for the night is The Doctor, who meets me for dinner. I applaud my common sense as I fully predict downing several Red Bulls, so makes sense to bring my own physician.

7:53pm - The Doc downs a drink. Looks like I'm looking after my own well being...

9:05pm - Finish dinner and hit the streets. Already the intersection at Queen and University is packed with people going everywhere. We follow the strategy to stick to the bigger public pieces until the crowds die down around midnight. The downtown core exhibits will be jammed.

9:17pm - Make it to the Stereoscope exhibition at Metro City Hall. The installation is by the German group Project Blinkenlights, who've placed lamps behind every window in the twin buildings of City Hall, wired into it, and turned the iconic building into a pixelated computer screen. The public gets to use controllers and cell phones to manipulate the screen. It's the type of large scale exhibit that I hope to see more of around Nuit Blanche - huge in ambition and the public can participate.

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9:26pm - Oh look, they're using this miraculous contraption to play Pong.

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9:46pm - Walk up University to see "Waterfall" by Katherine Harvey. Recyclable plastic waterbottles are woven into a net quilt to form a suspended waterfall.

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While crowds pack the front of the exhibit, we check out the view from behind the falls.

10:00pm - We make our way across University of Toronto. Disappointed there isn't any big projects making use of all that space at the centre of campus. We make our way up to the Gardiner Ceramics Museum to browse a bit.


11:30 pm Hollander York Gallery in Yorkville is hosting Painting to The Beat with live music and artists at work.

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Tucked at the back of the Hollander Gallery, we found this painting by Toronto's Bev Rodin. It's part of a Forest Light series, and she captures it beautifully. We take a few minutes and just take it in.

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11:45pm - Circus of Dreams at the Metro Reference Library.

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12:20am - Everyone seemed to get a shot of Into The Blue at the Eaton Centre.

1:20am - The Doc calls it a night, so I set out for Liberty Village at King St. and Dufferin Ave. I'm looking forward to exploring the neighborhood, a new area to Nuit Blanche. The area's exhibit is Beginning to See The Light, the title from a 1969 Velvet Underground song.
In addition to the clear connotation of daybreak, the phrase implies anticipation, hope, expectation, enlightenment and a gradual epiphany. The works in the show embody these ideas, employing a variety of strategies such as play, protest, agitation and resistance.

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1:25am Imagine Peace by Yoko Ono.
Make a wish, tie it to a branch. So many wishes shining like cherry blossoms in the night.



1:39am I Promise It Will Always Be This Way, 2008
Jon Sasaki - Toronto, Canada

In a stadium, rock music plays and mascots entertain a crowd for a game that never comes. Fun and oddly energizing.

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2:00am - I follow a crowd and stumble onto the 2am show for SMASH! Droppin' Stuff by The Custodians of Destruction. We're going to see trash getting trashed. Computer monitors, a Nintendo, office furniture, a microwave, a TV. You know the saying that goes "I don't know art, but I know what I like"? Well I liked this.

2:20am - Warm up with a coffee at Balzac's, or as Amy says phonetically, "Ball Sack".

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2:36am Purified by Fire - Video loops of fire are rear projected onto the windows. Hypnotic and a sense that something is amiss, that we're seeing fire but no destruction, no sound, no smoke.

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2:45am Overflow by Michel de Broin. In a former prison chapel in Liberty Village Park, Michel de Broin summons a waterfall to flow from a 3rd story window, with all the appropriate detritus and debris. Would have been stunning up close...

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...but this was as close as we could get. Someone didn't get the memo on this being a public art event as the park was entirely fenced off and no one was allowed near the exhibit. Stupid stupid stupid decisions that make me angry. Left a bad taste in my mouth.

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4:25 am - I've been at St James Cathedral at King and Church Street for about an hour now. I had really hoped to catch some of the performance aspects of Don Coyote & Quixotic, but I've hit the wall, nothing left in the tank. I've been sitting here, listening to organ music blasting and watching video installations. I'd hoped to make it to the next stage of the live performance around 5am, but I'm bagged. I get the subway and a cab, and get to bed by 5:30am

Should have managed one more Red Bull, because here's what I missed as around 5am, Quixotic built up to "a phantasmagoric roaming ritual" as "'La momma morta', (The Dead Mother), reveals herself in protest as a spectral divine" (video from Dear Toronto):



Count me in for next year - I just have to make sure I clear my day ahead of the night. We staggered out that night, in search of a city brought to life from dusk til dawn and teeming with art. We found that people really like things getting smashed, wishing, and finding beauty in the strangest places.

Wednesday, September 24, 2008

It's that time of year where the leaves change, a chill in the air, and I get cranky about the Rock and Roll Hall of Fame nominees. Your Rock and Roll Hall of Fame finalists for potential induction in 2009:

Metallica, Run-DMC, Little Anthony and the Imperials, Chic, Iggy and the Stooges, Jeff Beck, War, Wanda Jackson, and Bobby Womack.

We see here acknowledgment of the rise of heavy metal and rap, and it's great to see punk godfathers The Stooges getting another shot. Chic, The Stooges, and Wanda Jackson all have been on previous ballots but not inducted.

Artists are eligible for nomination 25 years after their first album released. First-time eligible artists not nominated included Bon Jovi, the Smiths, Billy Bragg, Cyndi Lauper, Queensrÿche, and Howard Jones; artists eligible for a while now but not on their way to the hall include: Rush (who didn't get the call this year despite the "Colbert Bump"), Genesis/Peter Gabriel/Phil Collins, the Beastie Boys (who I wouldn't expect in their ahead of Run DMC), Duran Duran, the Replacements, John Cougar Mellancamp, The Cure/Depeche Mode/New Order, Cheap Trick, Journey, KISS, and on and on. (via ALOTT5MA)

Updated: other artists passed over Stevie Ray Vaughan

Eligible in 2009: Red Hot Chili Peppers, Nick Cave, Pet Shop Boys
Eligible in 2010: Stone Roses, Whitney Houston, L.L. Cool J, The Flaming Lips
Eligible in 2011: Crowded House, Guns N’ Roses, Yo La Tengo, Poison
Eligible in 2012: Pixies, Public Enemy, N.W.A., Soundgarden, Sinead O’Conner, Jane’s Addiction
Eligible in 2013: De La Soul, Massive Attack, Fugazi
Eligible in 2014: Green Day, Nine Inch Nails, Nirvana, Pavement
Eligible in 2015: Smashing Pumpkins, Moby, Mariah Carey, Blur, A Tribe Called Quest
Eligible in 2016: Pearl Jam, Tori Amos, PJ Harvey
Eligible in 2017: Beck, Radiohead, Dr. Dre, TLC, Rage Against the Machine
(source: FutureRockHall.com)

Tuesday, September 23, 2008

The 60th Annual Emmy Awards sure spent a lot of time dwelling on the past, not enough time showcasing just why the current crop of nominees were nominated, and too much time with our 5 painfully unfunny hosts. The show drew the wrong type of attention on Monday morning, as the accomplishments of some deserving Emmy winners like Tina Fey, Alec Baldwin, Bryan Cranston, and shows like “Mad Men” and “30 Rock” were overshadowed by the deluge of criticism: winner’s speeches cut very short, especially when they got even vaguely political; not enough clips showcasing this year’s nominated performances, many of which could use more viewers; too much time showing clip packages of the past; and yes, the poor performance of the hosts. Reality, in fact, bites.

Somewhere up the ABC food chain, someone had the idea to have the Emmy hosting duties shared by the inaugural Outstanding Reality Show Host nominees: Jeff Probst (who won that category), Tom Bergeron, Howie Mandel, Ryan Seacrest, and Heidi Klum. Like a group project in high school, they were assigned to come up with a way to work together and to do what they were nominated for: entertain the crowd while keeping the show moving. And just like high school, when presentation time came around, it became apparent that they hadn’t prepared, and were in fact, winging it. They claimed they couldn’t sort out who would do what, which isn’t really surprising given egos and the fact that they all tend to work best as individuals.

After the drubbing the Fatal Five of Hosting took this morning, they’ll be lucky if next year’s Outstanding Reality Show Host Emmy doesn’t get moved to the non-televised Technical Awards presentation. Their opening bit was an attempt at Seinfeldian humour with “The Nothing Bit”, which was 15 minutes of them talking over each other about how they had nothing prepared. It was awkwardly bad, like when you were watching those Muppet sketches where Fozzie Bear would do stand-up. And like those sketches on “The Muppet Show”, the humour came from the hecklers, as many of the celebrity presenters started using the opening as a punchline by presenters throughout the night:


"What if I just kept talking for 12 minutes, what would happen?" Jeremy Piven asked while accepting an Emmy for playing the "Entourage" agent, Ari. "That was the opening."
Neil Patrick Harris: “Thanks To Howie Mandel's Prattling, Our Bit Has Been Cut”
Kristin Chenowith: “Bitter, party of two.”
And remember, those hosts drew a salary for that. It's their day-job.

Probst and Seacrest looked embarrassed, Mandel came off like a blowhard who couldn’t let anyone get a word in, leaving Klum and Bergeron to flounder out there.

The bit where Tom Begeron and William Shatner stripped down Heidi Klum, pulling her tearaway tux to reveal hotpants and a halter top, was just as uncomfortable and tasteless as it sounds. It left a bad aftertaste, and still lingered there two hours later when Brooke Shields and the usually reliably funny Craig Ferguson did a bit about how much Craig respected Brooke’s body of work, which ended with Brooke’s “punchline” of “Is that your hand on my ass?” Nothing says comedy like sexual harassment? Just awful, especially on a night when Glenn Close commended the smart funny women she was nominated with, or when the accomplishments of remarkable women like Tina Fey, Christina Applegate, Chandra Wilson, and Laura Linney should be lauded.

It took 30 minutes before anything remotely funny or entertaining happened, as Tina Fey and Amy Poehler kicked of the presentations and demonstrated how to BE PREPARED AND BE FUNNY. On accepting the Emmy for Best Supporting Comedy Actor, Jeremy Piven kissed Tina and Amy, and then kissed Amy’s baby belly, a funny moment which distracted me from the fact Neil Patrick Harris from “How I Met Your Mother” and Rainn Wilson from “The Office” were both robbed, in a season where these second bananas each got to show some humanity and nuance from these characters this season, and 3-time winner Piven’s show “Entourage” had a pretty bland season last year. At least Piven seems genuinely appreciative when he wins.

Now the job of a host is to keep the show moving, and as Jeff Probst admitted in his acceptance speech for Best Reality Show Host, the show was running long because of them. It snowballed all night, as sometime around the second hour it seemed like they stopped showing clips of the nominated shows and performances, and most of the presenters cut there introductions to allow the winners more time to speak.

Add in that the Emmys were really playing off the winners quickly, even cutting luminaries like Glenn Close short, and especially when anyone got vaguely political.

Amidst this blackhole of freedom of speech and comedy, there actually were some genuinely wonderful moments:

The night took an absurdly funny twist when presenter Ricky Gervais, upon seeing the clip where Steve Carrell picked up Gervais’s Emmy last year, said “Look at his stupid face”. He then turned to Steve Carrell in the audience, haranguing him until he relinquished the Emmy back to Gervais “I sat through Evan Almighty: give me my Emmy!” When Gervais went into the audience and threatened to tickle Steve Carell into giving him his Emmy, the director should have jumped on Gervais’s ear piece and said “Mr. Gervais, this is great. Would you actually mind taking the hosting duties from here?”

Many shows got awards that were disproportionate to the ratings they received. My beloved “30 Rock” was the big winner last night. Alec Baldwin won Best Comedy Actor, and the submitted clip was the classic Therapy Session which, when Randy and I first saw we proclaimed “That’s the Emmy for him”. Tina Fey cleaned house, winning awards for both acting and writing, as well as winning Best Comedy:
Fey actually won three awards, for producing, writing and starring in "30 Rock," and she gave three perfect speeches. For the writing trophy, she said "It's great to be a writer, because if you're at a wedding or something and you tell people you're a writer, they're less interested in talking to you than if you tell them you're an actor -- which is great." For the acting trophy, she thanked her parents "for somehow raising me to have confidence that is disproportionate to my looks and abilities. Well done, that is what all parents should do!" For the third and final speech after "30 Rock" won for best comedy, she plugged the show's premiere date and all the platforms where you can watch it. – Alan Sepinwall, NJ.com
And I did let out a cheer when Bryan Cranston took the Best Drama Actor trophy, for his starring role on “Breaking Bad” (AMC) as a science teacher with terminal cancer, who becomes a crystal meth dealer in order to provide for his family after his death. He’d been nominated 3 previous times in the comedy category for playing Dad on “Malcolm in the Middle” with no wins, so it was sweet to see “the restraining order has been lifted” as he got near his golden friend.

With the exception of “30 Rock” (NBC), none of the major networks made much of a showing in the trophies last night, as basic cable ruled the night. HBO’s John Adams mini-series made off with a 13 trophy haul, AMC’s “Breaking Bad” and “Mad Men”, HBO’s “In Treatment”, and FX’s “Damages” were the big winners. ABC took a beating: they spent 3 hours showcasing shows on the other networks, and the only trophy to go to a show on their network was Jean Smart’s Best Supporting Actress win for “Samantha Who?” and Best Direction to Barry Sonnenfeld, for the first episode of “Pushing Daisies”, a show which ABC studio execs bounced him from directing due to the costs he ran up. Karma sucks, don’t it?

And yet another Emmy mis-step, as the show jammed in as many 60th Anniversary clip packages as possible, but couldn’t find time to show clips of “Mad Men”, “Breaking Bad”, or “30 Rock”, all shows that while critically acclaimed, could really use the exposure and ratings boost that could come from the Emmys showing why these performances deserved awards. I say move the retrospectives to a separate one-hour special and highlight the current crop of shows.

Two of the biggest highlights came from the old school. Steve Martin, who got his start as a writer on “The Smothers Brothers Variety Show” in the 60s, was on hand to present a commemorative Emmy for writing to Tommy Smothers. The story goes that the show was so volatile politically that CBS cancelled it, essentially blackballing Smothers. Tom elected to leave his name off the writers list when they submitted to the Emmys that year and the show won the award. So 40 years later, he got the award he should have been a part of, giving an excellent speech that gave showed the 71 year old hadn’t lost touch with the world:
“There's nothing more scary than watching ignorance in action, so I dedicate this Emmy to all people who feel compelled to speak out, and not afraid to speak to power, and won't shut up, and refuse to be silenced'' - Tom Smothers

Another truly stirring moment occurred when self-professed D-List celebrity Kathy Griffin and 82 year old comedy legend Don Rickles came out to present. “GEETTTT UPPPPPPPPP!!!” Kathy Griffin commanded, as the shell-shocked audience smartened up and showed Rickles the proper respect with a standing ovation. And Don Rickles, 80-plus years old, hasn’t lost a step, first moved by the outpouring of appreciation, then doing what he does best, showing his disdain for the material the Emmys had been handing out and adlibbing his way into the biggest laughs of the night. Eventually Kathy urged him to get back to the script, to which he replied sarcastically "Yes, let's read these funny lines they wrote for us”, cackling at a scripted joke from Griffin that fell flat. At that point the wheels came off the show and I don’t recall any other presenters really making an effort to follow the teleprompter. And it was a brilliant reward for saving the night (yes really) when Rickles won an Emmy for Best Performance in a Variety or Music Program for “Mr. Warmth: The Don Rickles Project”.

Josh Groban’s performance of a medley of 30 famous TV theme songs was goofy and fun, with Josh doing a very convincing Cartman during the South Park theme.

Just reading various articles on the post-Emmy fall out, here are some popular suggestions for future hosts, most based on who was actually funny and charming on the show:

  • Steve Carell and Ricky Gervais
  • Jon Stewart and Stephen Colbert
  • Kristin Chenowith and Neil Patrick Harris
  • 5 Late Night Guys – Conan, Stewart, Ferguson, Kimmel, Colbert
  • Don Rickles and Kathy Griffin
  • a block of wood
And the ever popular write-in vote for Hugh Laurie, an engaging performer who Fox decided not to use last year, as they didn’t think the audience would “get” Hugh Laurie being naturally British when they were used to his American accent on his show “House”.

At any rate, at least consider bringing Conan O’Brien back, who last brought the funny by hosting in 2006. One of my favourite bits involved Don Rickles best friend, the equally legendary Bob Newhart. To encourage winners to keep the speeches short and to keep the show moving, Conan brought out Bob Newhart in a Plexiglas box, claiming that there was only 2 and a half hours of oxygen in the box, so if the show ran long, “Bob Newhart will die”. Cut to the expression on Bob’s face of “um, pardon me?”

And with that, we cut to your regularly scheduled programming.

Full list of winners of the 2008 Emmy Awards

Backstage coverage from Entertainment Weekly including some funny stuff from Tina Fey and Jeremy Piven

Monday, September 15, 2008

It's that magical time of year when Nuit Blanche is upon us. The annual sunset to sunrise all night culture, arts, performance, and general cool stuff to see while vibrating on Red Bull festival is happening Saturday October 4th. It's all night, and all over the city from east to west, north to south. And did I mention free?



I had a blast last year, as evidenced by my bloggie photo essay The Night Starts Here - the2scoops . I managed to go from 10pm till 4:30am, so this year I'm going later and longer. Some of the more popular exhibits were pretty crowded during "tourist" hours from 9pm til 1am, but there's so much to see, it's easy to find something else to check out. Yorkville and Queen West got crowded, so I spent time in The Distillery District and University of Toronto until the crowds died down. TTC subway runs until 4am that night, so getting around is no problem. Transit day passes last all night, but sell out on the evening of the event (2 adults ride on one pass). Buy one ahead of time.

I suppose it's too much to hope that some of the exhibition streets are being closed to car traffic, more frequent TTC shuttles between sites, or Starbucks is offering free coffee from 1am - 4am (okay that last one isn't so plausible)

Official Nuit Blanche website with schedules

Thursday, August 28, 2008

After work I walked over to the pub, a path that takes me along Front Street in Toronto. Along the way I saw an interesting cross-section as people were heading to the two big shows in town: Celine Dion at the Air Canada Centre, and Motley Crue heading a bill at the Molson Amphitheatre.

Here's the kicker: only one of those shows is going to be serving alcohol to patrons. And it's Celine Dion.

Due to a liquor infraction last year, the Molson Amphitheatre's liquor license is suspended for tonight's Motley Crue concert. The last time something like this happened to a big show was at the Air Canada Centre for a Nine Inch Nails/Queens of the Stone Age show back in 2005.

The liquor store near the ACC looked like they sold out of pocket size bottles of booze that night.

Wednesday, August 27, 2008

Something to ponder - everytime I put my ATM debit card in and type my pin code, the first thing i enter is what language I want. How come my account doesn't remember what i pick EVERY time and default to that language?

Friday, August 15, 2008

Chris Sims calls this "the single greatest origin recap in the history of comics", in 6 little words:



That would have eliminated an hour out of that first Spider-Man movie.

Tuesday, August 12, 2008

I've been trying to see Radiohead for 13 years, but every time something would come up to interfere, but circumstances always stopped me from being able to go. This time I made it happen, and had all the elements to make my first Radiohead concert a memorable experience. The beautiful outdoor setting of Parc Jean Drapeau; a rain storm that let up before Radiohead took the stage; I got to meet up with one of my oldest friends to see the show; they played a nice long show with 25 songs over 2 hours including the entirety of In Rainbows; fireworks exploded in the sky and we ended up spending most of the night watching the show with Montreal band The Arcade Fire. That's a good night in my book.



A few factors influenced me to see the show in Montreal rather than Toronto, first of which was the fact the Toronto show soldout in a few minutes and now scalpers were getting $200 for lawns. The Montreal show still had tickets, so that plus a bus ticket and I was ahead of the deal.

After 8 hours on the bus, I arrived in Montreal and met up with Nicole, her hubby Trevor, and friends. The show was outdoors at Parc Jean Drapeau, so of course it rained for hours before the show. Being seasoned pros, we brought raingear. Being more seasoned then I am, Nicole brought her custom made Radiohead poncho and her rubber boots, a very popular fashion accessory that day.

The rain had been pouring as we came out of the subway. As we made out way in, the rain slowed. As we waited for Radiohead to take the stage, the rain slowed to a light drizzle, and a double rainbow could be seen. It seemed we were truly In Rainbows.

As the sun went down, Radiohead takes the stage and everything from start to finish was a favourite - great sound out there in the field and mud, and a fantastic light show. To the left and right of the stage were screens showing feeds from cameras all over the stage.






Radiohead_P1040863


Radiohead are: (left to right) Ed O'Brien (guitar, backing vocals), Thom Yorke (lead vocals, rhythm guitar, piano, electronics), Colin Greenwood (bass guitar, synthesisers), Jonny Greenwood (lead guitar, other instruments), Phil Selway (drums, percussion).

Nicole and I got separated looking for a good spot to view the show. She calls me on the cell to say she had a good spot farther back. A paradox, I know, but when I got there, there's Nicole and friends, standing next to Montreal's own The Arcade Fire, one of our favourite bands. They were keeping a low profile and were watching the show with the rest of us. We decided not to hassle them by fawning over them, praising how great their music is and how cool it is that musicians like Bruce Springsteen, David Bowie, U2, Radiohead and Coldplay are fans of theirs. It’s the Canadian in me, I don’t hassle celebrities if they’re not drawing attention to themselves (drunkenly accosting Richard E Grant on Queen Street aside: "Ohmygod you're Withnail!").

I love every song on In Rainbows, and I whooped every time they dove into their back catalogue, playing a few unexpected tunes like "My Iron Lung" from The Bends. "My Iron Lung" is their answer to the over-exposure they experienced from "Creep", their first hit. It became an anchor around their necks. You’d get a bit sick of everyone demanding you “play the hit”, feeling defined by just the one song. According to Nicole they don't dip into their first album Pablo Honey much anymore. Shame, as I have a lot of affection for tunes like "Stop Whispering" and "You".

Some point around the 9th song of the set, a fireworks display started going off on the other side of the park (some international competion we think), as in "not part of the show". I remember at one point Thom said something along the lines of "They spent so much money on fireworks, the least they could do is put them at the fucking end darlings... and in time."


So at the start of the encore Colin and Thom played "Faust Arp" from In Rainbows. The fireworks were still going off every few minutes. This time they went off and Thom missed some lyrics while having what may have been a giggle fit. Nicole has the video up here.

I have to order one of their Tour t-shirts. There were a number of black t-shirts with faded multi-coloured lettering with different sayings. Two stand-outs were:

'/_ YOU'LL GO TO HELL /FOR WHAT YOUR DIRTY_MIND I/S THINKING'

and

'YOU/USED TO _BE A_LRIGHT WHAT /HA_PPENED ?'

They played classics like "Paranoid Android", "Fake Plastic Trees" and "Lucky", they played "National Anthem". By the time they got to "Karma Police", I was in heaven.



Radiohead_P1050135


One of my favourite images from the screen, near the end of the concert a black and white Thom Yorke sings to us from the night.

Radiohead closed the show with "Everything In Its Right Place". And at the end of the night, it was, as we wandered off with smiles on our faces and humming songs all the way.

Links:
All videos and photos are under a creative commons license… attribution, no derivitives, noncommercial. Any other uses, drop me a line and we'll talk. Thanks!

Flickr Photoset of my Radiohead in Montreal pictures

YouTube links for some videos I took, plus the one Nicole got:

Faust Arp - Thom gets the giggles - Radiohead - Live in Montreal 08-06-08 (Nicole's):
http://www.youtube.com/watch?v=w_1c62M0Fq4

Paranoid Android - Radiohead - Live in Montreal 08-06-08:
http://www.youtube.com/watch?v=qFALQrYZ-1w

Lucky - Radiohead - Live in Montreal 08-06-08:
http://www.youtube.com/watch?v=ZUVW71ETnsk

National Anthem - Radiohead - Live in Montreal 08-06-08:
http://www.youtube.com/watch?v=qKw9hC54Od8

Fake Plastic Trees - Radiohead - Live in Montreal 08-06-08:
http://www.youtube.com/watch?v=9Ju84aF8BaI

Thursday, August 07, 2008

I'm home and sleepy after the Radiohead show - such a fantastic, funny night. I go to the show, wondering if Radiohead's friends, Montreal's own The Arcade Fire would make an appearance, and they did of a sort. Nicole, hubby, Allie and I were standing amongst Win Butler and most of the band all night, out in the middle of the crowd. They looked like they were there to enjoy the show and keep a low profile, so we didn't compare notes with them or anything. It's the Canadian in me, we don't tend to harass folks. Add in some ill-timed fireworks that caused Thom to have a bit of a giggle fit mid-tune and it was an amusing night.

I'll do a full write-up later, but for now care of ateaseweb here's the set list. It was so good, with some gems from each album (except for Pablo Honey - Nicole mentioned they don't dip into that first disc too much anymore) provoking many "Is that... it is! Whoo hoo!" moments.

http://www.ateaseweb.com/2008/08/06/radiohead-live-in-montreal-live-report/

Setlist:
01. 15 Step
02. There There (Thom “Sorry about the rain it follows us around”)
03. Morning Bell
04. All I Need
05. My Iron Lung
06. Nude
07. Weird Fishes/Arpeggi
08. The Gloaming
09. The National Anthem (Fireworks going off at nearby festival)
10. Fake Plastic Trees
11. Reckoner
12. Like Spinning Plates
13. Jigsaw (Thom :If you’re feeling cold you can always grab someone next to you. Then Phil went to hug Colin)
14. Lucky
15. Optimistic
16. Idioteque
17. Bodysnatchers

Encore 1
18. Faust Arp
19. Videotape (Thom: “”There’s always money for fireworks, the least they could do is put them at the fucking end”)
20. Paranoid Android
21. Bangers and Mash
22. Karma Police

Encore 2
23. House of Cards
24. You And Whose Army?
25. Everything In Its Right Place

Wednesday, August 06, 2008

As the bus passes the area where i was born, the beautifully
melancholy Tom Waits song "House Where Nobody Lives" plays. Ever feel
like you had a soundtrack?
(Note: maybe not. Next song was Summer of 69. That's pretty jarring.)
We're pulling into Montreal as Radiohead's Reckoner comes on my
headphones. Just a few hour til the show. I'm a long time Radiohead
fan, but this is my first concert. Something always came up. Hope this
much effort makes up for all the other times.
Bus makes a pit stop in Kingston. Timbits and iced tea to get me through the other half. Remembered that on any road trip, never pass a chance to stretch the legs. Last 2 songs on ipod are Nada Surf - Hi Speed Soul, Black Flag - Rise Above
Why am i going to see Radiohead in Montreal? Toronto sold out quick,
and with scalpers charging $200 for lawns, a bus ticket and my show
ticket still keep me ahead of the deal. Bonus is a meet up with my
good friend Nikita. More later- sent from phone.

Tuesday, July 29, 2008

I'm back from Hillside Festival, dry and happy. I can't begin to tell you how much fun it was - great performances, delicious variety of food, a community atmosphere. I'm tied up for today, but I've got the pictures and words all sorted out and will have the write-up going tomorrow. I may divide it 3-fold

  • Hillside - The Music, where I see some great bands and get blown away by a couple of performances, notably a video of Thunderheist putting on a clinic on how to hype a crowd into a dancing booty shaking mass.
  • Hillside - The Festival Experience, where we see get the ideal experience of how a festival is run, and I rave about how f'n clever the organizers are.
  • Hillside - Lessons Learned for Next Year, where I jot some notes down about what worked for me this year and what I would do differently next year - and you're all coming with me.

Friday, July 25, 2008

I'm off to Hillside Festival for the weekend - I'll post all about it on Monday, and then I'll be working on getting posts up with more regularity. Have a great weekend!

Friday, July 18, 2008



What's a writer, like say Buffy the Vampire/Angel/firefly creator Joss Whedon, to do with spare time during a writer's strike? Why, you put on a musical comic book video thingie. Presenting Dr. Horrible's Sing Along Blog, starring Neil Patrick Harris, Nathan Fillion, and Felicia Day. It's over the top and wonderfully funny - NPH makes a villain the hero of his own story, and Nathan Fillion is great as the brash and oblivious hero Captain Hammer. If they ever made a Futurama movie, Nathan Fillion is Zap Brannigan.

Joss's Master Plan

ONE WEEK ONLY! AN INTERNET MINISERIES EVENT!

"Dr. Horrible’s Sing-Along Blog" will be streamed, LIVE (that part’s not true), FREE (sadly, that part is) right on Drhorrible.com, in mid-July. Specifically:

ACT ONE (Wheee!) will go up Tuesday July 15th.

ACT TWO (OMG!) will go up Thursday July 17th.

ACT THREE (Denouement!) will go up Saturday July 19th.

All acts will stay up until midnight Sunday July 20th. Then they will vanish into the night, like a phantom (but not THE Phantom – that’s still playing. Like, everywhere.)

The videos are available on iTunes for a nominal fee for keepsies.

Monday, July 14, 2008



Take kittens, roll them in fluffy bunnies and let them loose in a cupcake store, and it wouldn't be half as adorable as this appearance by Feist on Sesame Street. She looks like she's having a ball, and check out the expression on her face at the end of the clip after the song ends.

Feist announced at Canada's Juno awards earlier this year that the day she spent taping the segment was the best of her life.

"I mean, c'mon please, it's the Muppets we're talking about," she said.

"('1234') brought me two days ago to Sesame Street and it was the Muppets and it was the best day of my life. I'm sorry Junos, but the Muppets trump everything!"

Tuesday, July 08, 2008

IT WAS 20 YEARS AGO TODAY: The top ten singles from July, 1988:

"Pour Some Sugar on Me" -- Def Leppard
"The Flame" -- Cheap Trick
"New Sensation" -- INXS (causing flashbacks to my Grade 7 trip to Quebec City)
"Hold On To the Nights" -- Richard Marx
"Mercedes Boy" -- Pebbles
"Roll With It" -- Steve Winwood
"Hands to Heaven" -- Breathe
"Make Me Lose Control" -- Eric Carmen
"Nite and Day" -- Al B. Sure
"Dirty Diana" -- Michael Jackson

Comment which you can't really disagree with:
In Diablo Cody's "Candy Girl," the memoir of the time she spent in the exotic dancing industry, she refers to "Pour Some Sugar On Me" as the greatest song for those purposes ever.- Matt


via ALOTT5MA

Friday, June 27, 2008

An always pleasant topic of conversation these days is the rising cost of gas. These days $20 barely gets a VW Golf a quarter tank. I'm getting nostalgic for the days when I paid less the a buck a litre.

But with all your money sucked into the gas tank, what are you cutting out of your budget? This was prompted by a comic reviewer I read mentioning that with it costing $70 to fill his tank, he's cutting back on comic book purchases and being more selective in the quality of the ones he does pay for. And I imagine it's the same for other "entertainment" purchases - music, books, games, movies. I'm going to be more likely to dish out $12 to see Iron Man than The Love Guru if we're talking value for the buck.

Maybe these gas hikes may have a domino effect and consumers will demand more bang for the buck, be unwilling to risk their diminished dollar on entertainment that may not deliver, and create a demand for higher quality products.

So how are you coping with the cost of gas? Cutting back on magazines? Doing more downloading of music to "try before you buy"? Taking public transit more? Or is the thought of moving closer to your workplace a lot more tempting these days?

Monday, June 23, 2008

Shame to be the bearer of bad news, but apparently George Carlin, one of the true icons of stand-up comedy has passed away from heart failure. He was 71.

We were supposed to celebrate his legacy while he was still with us, as it was announced earlier this week that the 2008 Mark Twain Prize for American Humor, a lifetime achievement award presented to an outstanding comedian, would be awarded to George Carlin, in a ceremony to be held on November 10, 2008.

Here are some favourite Carlin clips (via ALOTT5MA), as George talks about stuff, or the difference between baseball and football, the hippie-dippy weatherman, and in his most famous bit the seven words. George Carlin was a wonderful observer of life, and a master of social commentary whose influence can been seen on comedy clubs around the world and on TV in shows like "The Daily Show" and "The Colbert Report". His legacy stretches over 50 years, and managed to remain relevant and insightful and most of all, funny as all hell over every one of those years up until today.

Some numbers of note from a recent Washington Post article:
  • George Carlin was the first host ever of "Saturday Night Live"
  • He appeared on "The Tonight Show" more than 130 times?
  • He released 22 albums, and won four Grammy Awards, between 1973 to 2002
  • George Carlin starred in 14 specials on HBO.
  • His three books have been bestsellers
  • His TV shows have been nominated for five Emmy
Frequently when I introduce myself, the reply is often "Carlin? Oh, like George Carlin? Any relation?" None that I ever found, but I would have been proud to be.

RIP George, thanks for the laughs that will go on forever.