Showing posts with label Arts and Crafts. Show all posts
Showing posts with label Arts and Crafts. Show all posts

Tuesday, October 27, 2009

No trick, just treat: get theTimber Timbre album free

Wow! Canadian record label Arts & Crafts is handing out a treat. Until Halloween, you can download Timber Timbre's ridiculously good self-titled album Timber Timbre for free.

From now until midnight on Saturday October 31, 2009, you can download the entire breakthrough, critically acclaimed, self-titled album Timber Timbre for FREE.

We encourage you to listen to the album that KCRW (where you can hear them live this Wednesday October 28) raves, "Timber Timbre takes on the topic of love but presents it in a cloak of macabre beauty that is perfect for the Halloween season. Songs full of eerie sounds, dark imagery and ghoulish lyrics will make for a spellbinding session on Morning Becomes Eclectic."

A long-list nominee for the 2009 Polaris Music Prize, Timber Timbre was heralded by the Canadian press since its release this summer on Arts & Crafts. Playing CMJ last week, Time Out New York wrote that Timber Timbre was "the standout act" describing their set as "powerfully dark, even eerie folk tracks (which) managed to keep the crowd positively awed.” The Village Voice called them a "uniquely creepy beauty".

Click the link above to discover (for free!!) the album Toronto's Eye Weekly has already called, "The Album Of the Year".
Just in time for fall, and definitely an album that serves as a ideal soundtrack for this time of year.

When the Polaris Prize shortlist was announced, one of the most glaring omissions, at least from the folks I talk to, was Timber Timbre's album. Just follow this link to the Timber Timbre's site and download one of the most acclaimed Canadian albums of the past year: FREE Timber Timbre album

Timber Timbre's touring around a bit right now. The next Toronto date is part of the up and coming "Make Some Noise" festival at the North York Central Library, part of a terrific movement to place more Canadian music into public libraries. Timber Timbre and Bruce Peninsula play at North York Central Library, 5120 Yonge St. (North York Centre subway) on Saturday, November 7, at 8 p.m.

The rest of the tour dates are here, with stops in Los Angeles, New York and the Black Sheep Inn in Wakefield QC.

Timber Timbre @ MySpace

Tuesday, July 14, 2009

This Music Is Broken - Broken Social Scene at Harbourfront

Broken Social Scene has always been my Toronto soundtrack. Their music intersects with a lot of positive memories and stories of my life in Toronto. And the band has always shown a little extra love for the place many of them call home. When Broken Social Scene canceled their Toronto Island gig for various logistical reasons, they immediately offered up a free show as compensation. A pretty sweet treat, and the location threw me back to the last time I saw them at Harbourfront in 2004. As covered in The Book Is Broken, that show was rumoured that it was going to be their final gig, even announced as such by the band. Fortunately it was just the moment they needed to take a time-out and, though the future wasn't clear for the band at the end of that 2004 summer show, it's come back into focus in recent years.


Created with flickr slideshow.


The day of the gig, word got out that director, Bruce McDonald (Hard Core Logo, The Tracey Fragments), in collaboration with Arts & Crafts, would be filming the show for a new feature film called THIS MOVIE IS BROKEN starring Broken Social Scene. Written by Don McKellar (Last Night, the series Twitch City) the film looks to be that centers around a couple who attend a Broken Social Scene show, but the heart of the film would appear to be the concert at Harbourfront on Saturday night. I'm picturing the concert and love story playing out simultaneously on screen, with the multiple split screens like McDonald used in The Tracey Fragments. So okay, Bruce McDonald, Don McKellar, and Broken Social Scene are a personal trifecta of Canadian content brilliance. I can't be biased, this was going to be pretty damned good.

By the time I arrived, the venue was already full and I claimed a spot around the perimeter of the Sirius stage. Decent sightlines, and they crowds kept coming. I had found out through the band's Twitter feed that Metric was in town, so I'm thinking "all right, Jimmy Shaw and Emily Haines are likely to play tonight, going to be a good show".

Broken Social Scene 07_11_2009 This Music Is Broken

The Rattlesnake Choir warmed up the show, a favourite band of Kevin's who regualrly play The Dakota Tavern. And then the show started, and it was all Broken Social Scene at their best, with the founding line-up on stage.

My first surprise came when Feist came out on the 3rd song, 7/4 Shoreline, and she was pumped to be there. I don't think she stopped the whole show, a whirling dervish of Muppety singing and energy.

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Amy Millan (Stars) came out shortly after, and by the time Emily Haines (Metric) came out, we had the 3 original women of Broken Social Scene. And given each of them is in the midst of either touring or prepping a new release, it's a special night to see all 3 singing on stage together like the old days.

Broken Social Scene 07_11_2009 This Music Is Broken

So even though I expected Emily Haines to appear, I was still knocked out when she led Broken Social Scene through this slowed down version of Metric's big hit “Give Me Sympathy”

YouTube: Give Me Sympathy - Metric/Broken Social Scene

Finally, Jason Collett, fresh from opening at for Steve Earle at Massey Hall earlier that evening, arrived. Here he was playing one of my favourite summer songs, 5 years after I first heard him play it at Harbourfront 2004.


YouTube: I'll Bring The Sun - Broken Social Scene,

I put the camera down long enough to take it in. This was the full damned line-up of Broken Social Scene out in full force. There was Andrew Whiteman, Brendan Canning, Justin Peroff, Kevin Drew, Jimmy Shaw and Evan Cranley jamming away. Lisa Lobsinger was singing, Julie Penner on violin. Jason, Emily, Feist, Amy were all there. So many others, and brass and drums and guitars, more guitars. This was a pretty special night, and it surely was the largest collection of Broken Social Scene members in one place at one time. And I'd seen a number of Broken Social Scene concerts, but there was something extra out there Saturday night. And then they dog piled onto this classic from their album “You Forgot It In People”, effortlessly passing the ball back and forth through the song with a riotous joy.


YouTube: Almost Crimes - Broken Social Scene, Harbourfront

(I love it when Feist can't stop herself and starts air guitaring. I mean, the bands been playing this song for 7 years, and it still gets them charged up)

Speaking of classics, there is a new rule as suggested by the blog It's Not The Band I Hate, It's The Fans. No offence to any singers in Broken Social Scene, but “Anthems for A Seventeen Year Old Girl” shouldn't be performed without Emily Haines present. I can't imaging anyone but Emily singing this song.

YouTube: Anthems for a 17 Year Old Girl - Broken Social Scene, Harbourfront

And just when you thought we reached the finale, the band continued into the endless encore (Kevin: “We finished 20 minutes early. I owe Brendan $20”). And man, it was moving to hear Brendan Canning dedicate an encore song to Martin Streek, the legendary Toronto DJ who took his own life earlier that week. What followed was a repeating cycle of “Meet Me In The Basement” that saw Broken Social Scene play each refrain louder and louder, celebratory and defiant.

Encore for Martin Streek - Broken Social Scene, Harbourfront

By the end, it seemed like they hit every favourite in the catalogue. Two hours of music, and what struck me was that, seeing up to 19 players on stage at once, many of whom have played together for years and some at least a decade, Broken Social Scene looked like they were having the time of their lives. And the crowd was urged to shout their lungs out and scream apologies and declarations of love into the Toronto summer night. The screams echo into the night, as Broken Social Scene said thank-you and good-night farewell, until we meet again in the streets, in the market, in the bars, in the city.

Broken Social Scene are currently recording their new album in Chicago.

This Movie Is Broken is currently in production. There's a call for submissions of footage of summertime in Toronto, with film credits and invitations to screenings as prizes. Click here to check out the details.

Pictures: the2scoops on Flickr - Broken Social Scene at Harbourfront 07/11/09

Setlist:
Kevy Key Jam/ Fire Eye'd Boy / 7/4 (Shoreline) /Love Is New/Chameleon / Amy's Song / Feist & Kev's Song Medley / Gimme Sympathy / I'll Bring the Sun / Soul Unwind /Almost Crimes / MTV Jam / New Country /Anthems For a 17 Year Old Girl / Bandwitch / Frightening Lives

Encore:
Pacific Theme/ Meet Me In The Basement / KC Accidental / Major Label Debut

Wednesday, June 17, 2009

2009 NXNE Music Festival - Find the amazing

There's a moment where your standing in some dimly lit club with no air conditioning, packed in with a crowd, wondering what you're doing there. Then the band shambles onto the stage, hit those first notes, and you know you're going to want to hear this music for the rest of your life. That moment happens again and again at NXNE.

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The Coast performing at The Horseshoe NXNE 2008

NXNE is a music festival designed to get bands exposure to audiences and media, with dozens of venues all over Toronto playing host to hundreds of bands. And all you need is one $50 wristband to grant you access to the whole festival, with most venues having event liquor licenses that will keep the drinks flowing until 4am.


Last year I took in the festival over 3 nights in Toronto. 3 hot, sticky, at times wet nights. And it was all fantastic. I managed to only see 8 bands (I was aiming for at least a dozen), but every band I saw gave a fantastic performances that won me over: The Coast, The Wet Secrets, The Great Lake Swimmers, Laura Barrett, Royal Wood, The Two Koreas, The High Dials, The D'Ubervilles. I've bought albums from every one of these bands after I got hooked at NXNE and I look forward to the next time I get to see them play.

You have a few ways to go with the festival:
  • Pick out a number of bands spread across town, dashing from venue to venue and hope to avoid any line-ups. Make some back-up choices just in case the venue hits capacity.
  • Show up at venues without checking out the line-up and get surprised by bands getting by on talent without any expectations.

  • Pick one of the stellar showcases, go early and plant yourself there for the entire night.
This year I'm going with option 3. Asides from planning to see some great bands, my not-so-secret goal is to work on my concert photography hobby, get some exposure, and build a portfolio for when I start applying for media passes.

Here's what my schedule looks like:

Wednesday is the kick-off, and already I'm pulled in 2 directions.

The Arts & Crafts label is hosting a night one of two night celebration at The Courthouse. The Wednesday night line-up is a launch party for the new book This Book Is Broken: A Broken Social Scene Story. The bands are all some connection to Broken Social Scene:


And special guest headliner, which judging from the line-up is most likely Broken Social Scene



Across town, City Sonic is hosting the official NXNE Gala after-party at The Drake. City Sonic is producing short films about musicians and their connections to the places where they first played. They'll be screening 5 of the short films at The Drake that night, with a hot dance music line-up:

WOODHANDS | LIONESS | THE D'URBERVILLES | J.J. IPSEN

The Thursday night Arts & Crafts party is non-Broken Social Scene bands


With a surprise guest headliner, which could be anyone from Metric (in town for Edgefest?) to Modest Mouse really. Most likely it's a band on the Arts & Crafts roster.


I'm parking myself at the outstanding Six Shooter Records/Starfish Entertainment Starfish presentations OUTLAWS & GUNSLINGERS SHOWCASE at Lee's Palace on Thursday, June 19 @ 8pm. The line-up has all the makings of a helluva good time, with a roots-rock-country flavour. And beer. And a poster suitable for framing.

8:00 pm: The Swallows
9:00 pm: Jim Cuddy, Royal Wood, Oh Susanna
10:00 pm: Kevin Hearn, Jenn Grant, Jason Plumb
11:00 pm: Luke Doucet, Justin Rutledge, NQ Arbuckle
12:00 am: Skydiggers
1:00 am: Surprise Guests

My Friday plans are loose, but I'm thinking the Paquin Entertainment showcase at The Dakota Tavern has a great line-up that suits the venue.

Couer De Pirate / The Coast / Deep Dark Woods / $100 / Hooded Fang / Mark Berube / The Beauties

Finally, Saturday is a long haul. I'm planning to hit the Six Shooter Back Lot BBQ in the afternoon. It's 2pm - 6pm in the lot behind their store at 1118 Queen Street East. These folks put on a great party every year, this time in cahoots with Steamwhistle Brewing and Damzels in Distress. Music all afternoon with hosts NQ Arbuckle, other guest spots include performances by Rose Cousins, Royal Wood, Jenn Grant, Michael Rault, Jason Plumb, Victoria Hume, Martin Tielli, Luke Doucet, Justin Rutledge, and The Beauties, plus the grand opening of Beth Hamill's photography exhibit, Rock Paper Pixels. Beth's blog and pictures have been a favourite of mine for ages and I can only aspire to be that good one day. It's a good day to celebrate

As the sun goes down, I'll duck in to the ever-popular CBC Radio 3 Showcase at The Horseshoe Tavern will be a hot and sweaty affair with:
Woodpigeon / DD/MM/YYYY / Ruby Coast / Jason Collett /Hot Panda / Lovely Feathers

Let me know some of your picks for the festival or hit me on Twitter while you're out and you have a hot tip.

Monday, December 15, 2008

A Broken Social Night at The Basement Revue, starring Kevin Drew as Jason Collett

What started out as an invite to check out Kevin Drew play at The Dakota Tavern turned into a remarkable night where I'm bumping elbows with some incredible musicians, drinking beer with Kevin's science teacher and parents, sharing the love of music with other fans, and generally carousing in a bar that took on the intimate feel of a kitchen party or a social. I suppose the band's called Broken Social Scene for a reason.

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Jason Collett has been hosting his second annual The Basement Revue series on Tuesday nights in December at the Dakota Tavern, a gem of a downstairs bar tucked into the Dundas and Ossington neighborhood of Toronto. The shows feature Jason hosting and performing in the bar, with many friends and performers contributing. The only date he couldn't make was December 9th, due to a previous engagement on the west coast. So for the night, hosting and performing would be Jason's bandmate in Broken Social Scene, Kevin Drew. I was given the heads-up to check out the show, as the plan sounded like it would be Kevin Drew playing with The Beauties, covering some Pavement tunes.

I made my way to the bar to take up a nice position to the left of the stage. As I sipped on my pint, I struck up a conversation with a woman who turned out to be Kevin Drew's science teacher from high school. She had come down with her co-worker to see her former student on her birthday. Her friend Lesley gave me some of the scoop on this remarkable woman, a teacher for 35 years and now the head of the Association for Canadian Educational Resources, a volunteer organization that monitors ecology and measures the impact of climate change on biodiversity. Check out the site and it's Measure Up program, which goes beyond tree planting as a “dig, plant, and walk away” activity. Retired from teaching and she's out there digging in the dirt planting trees. Brilliant.

"Kevin always was able to draw people to him, even back then."

- Alice Casselman, Kevin Drew's high school teacher.

You know how in high school, if you're luck enough, you get one of those teachers who connects with you, motivates you, has that knack for relating to students? You know, one of The Good Ones? I could immediately tell Alice was one of the good ones from the way Kevin lit up when he saw her there in the line-up. I could tell from the way she asked about what brought me to see the band tonight, and how she asked me if my love of music was something that was part of my work. She still is one of The Good Ones, because when I told her that my job didn't involve music, it left me pondering a bit afterwards.

As the bar filled up, I started recognizing a few faces in the crowd, as it seemed like there were as many musicians as fans in the Dakota that night. And I started to suspect that things would get interesting. I'm in a 200-capacity bar and I'm bumping into members of Stars, Metric, a few other musicians from the Arts and Crafts record label. Brendan Canning and Charlie Spearin and others from members Broken Social Scene were in the house. Shawn from The Beauties came by and tipped me that this would be a hell of a night. No doubt my friend. I didn't have my camera on me when I got the call about the show, so all I had was my cellphone camera to capture the night in all it's "you had to be there" glory. record label. Squeezing by to say hi to Kevin was K-OS and over there was Darcy Yates from Flash Lighting with his mighty rock and roll beard.

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Kevin Drew took the stage, informed/warned us it would be a bit of a fast and loose night. First up was Kevin teamed up with a Derek Downham on drums, Charlie Spearin on guitar (I'm blanking on the second guitarist) and proceeded to pick a chord and jam for a bit - “This is a C jam”. When asked for an impromptu name for the band, the shout came back “The Jason Collett Band”. I think I would have gone with Alice's Birthday. Kevin played a couple bars of a Smashing Pumpkins, lamenting the fact that he used to love them and now Billy Corgan just harrasses the crowd at his shows, only playing the new material that's a shallow imitation of the band Kevin and many of us loved.

I was introduced to Kevin Drew's parents at one point, very friendly people. His dad said that at some point his name was changed to “Kevin Drew's Dad”. I didn't get the chance to ask anyone if the were looking forwards to seeing David Drew's Son play that night. I chatted with new friends about that first time we heard Broken Social Scene's 2002 album “You Forgot It In People”, one of those album you hear and nothing is quite the same after that.

From there, things started to pick up steam as an indie rock variety revue developed. Gentleman Reg took the stage and played a lingering cover of Wicked Games by Chris Isaak. Jimmy Shaw from Metric got on the stand-up piano tucked into the side of the stage and played Nobody Home from Pink Floyd's "The Wall". Musicians would be called to the stage, only for Kevin to discover they'd snuck out to The Communist Daughter, another well-loved little bar just across the street. It happened so often, I pronounced the Commie as the unofficial Green Room for the night.

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Kevin Drew and Amy Millan

Amy Millan from Stars was found and did a few numbers, and oh Lord what a voice. Derek Downham kept getting called back to the stage to drum with one musician or another he used to play with. Poet Mark Goldstein of Bookthug publishers read a poem or two. Jimmy Shaw teamed up with Torq Campbell from Stars for a number. Here before us were musicians playing for the love of music, no albums being pushed, no merchandise table in sight.

BSS_DSC00172

A Broken Social Scene erupts

Inevitably, it was time for a game of “how many indie musicians can you fit on a stage” as Broken Social Scene formed on stage for a few songs with Torq on trumpet, Justin Peroff on drums, Lisa Lobsinger singing. The beauty of a collective like Broken Social Scene is it can form with whomever is at hand. The crowd, mesmerized by the intimacy of the first half of the night, were dancing and singing along as Broken Social Scene played Shoreline and Love is New.

The Beauties DSC00200
The Beauties

Things got euphoric, things got hazy at that point. I remember Kevin teamed up with The Beauties for a cover of Pavement's Gold Soundz that had me grinning and whooping. The Beauties proceeded to knock out the crowd with a few songs of their own like Die Die Die before killing with a version of the Velvet Underground's I'm Waiting For The Man that drove the energy in the bar up until you thought it would explode.

As the night wound down, I remember Bill Priddle jamming with Kevin. I remember Bill from Treble Charger (he wrote Red among other songs and left in 2003), Broken Social Scene and now in The Bill Priddle Concern. The night closed out with Kevin noodling on drums, and then he came by, shaking hands and, thanking us for sticking around for the whole show. I thanked him, because I can't conceive how you could duplicate that sort of night.

BSS_DSC00153
Torq Campbell and Jimmy Shaw

I left that bar after last call, walked into the night thinking about what I learned that night and thinking about some potential that's waiting for me. Like I said earlier, nothing was really the same after I heard Broken Social Scene's album "You Forgot It In People" back in 2002. I dug out my worn and loved CD today and noticed the album was dedicated "for our friends, families and loves." That Tuesday night at The Dakota Tavern, I got to see exactly where that dedication came from, whether it was meeting teachers and parents that influenced these musicians, seeing old bandmates get together again, or hearing these performers cover songs that they love enough to honor in tribute. Know what you love, remember where you came from, and acknowledge the people you draw strength from. All that and some good music will get you through the night.

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Jason Collett returns to host The Basement Revue this Tuesday. The shows are sold out but if you can wrangle a ticket, I strongly encourage you to go: you never know who's going to drop in. Stars have just finished a 3 night stand in Toronto and are looking to go back to the studio. Kevin Drew and the rest of Broken Social Scene is making the trip to New York City to play The Late Show with David Letterman on Wednesday night (reminding me of seeing them on Conan O'Brien a few years back, where Conan came on stage after to cry out “I think we need more guitars!”). Gentleman Reg just put out a single for the first time on vinyl, and look for his new album in the new year, along with Metric's next disc. The Beauties play Sunday nights at The Dakota Tavern and have a 4-track EP “Die Die Die” out now.

All pictures copyright the2scoops - Flickr here

Thursday, December 11, 2008

My city, she sings and surprises - Kevin Drew at The Dakota Tavern

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As some of you may have heard, I had myself an interesting night when I was invited to The Dakota Tavern in Toronto to check out the the Basement Revue. It's the second annual installment of shows every Tuesday in the month of December with musician Jason Collett hosting and performing. The only Tuesday Jason couldn't make it was the December 9th show, which was hosted by Jason's bandmate in Broken Social Scene, Kevin Drew.

What started out as "come by and check out Kevin play Pavement cover-tunes with The Beauties" turned into one incredible night of performers. Among the people I met that night was a writer from the National Post, and our conversation, fuelled by beer and a love of Canadian indie music, turned into his review on the National Post website yesterday. I only had my cellphone camera with me (I am never leaving home without a proper camera again. Ever.) but some of the shots are on the Post's site, and the camera-phone pictures sort of work with a "you had to be there" feel of the night.

I'm seeing Stars tonight, so I'll post my own version of events tomorrow afternoon.

Tuesday, December 09, 2008

A beautifully Broken Modest Social Metric Mouse Scene show

It seemed like Rita's Broken Social Birthday Party as Broken Social Scene took over the Sound Academy for the second of a two-night hometown stint on Friday November 28. Broken Social Scene came on to play for about 3 hours, with Scene-sters Emily Haines and Jimmy Shaw of Metric making a welcome return. A jaw-dropping surprise came as Isaac Brock of Modest Mouse took the lead for a few tunes with BSS. The celebratory feeling in the air coincided with my friend's birthday that night, making us feel like it was just one big indie-rock birthday party for Ms. Rita, with a balloon drop at the show, drinks at The Dakota and a stop in Chinatown for food at 4am.

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The Beauties opened the night with the crowds pouring in, wailing away on tunes like "Wastin' Time" and feel good rockers like "Die Die Die" and "Baby Outta Jail. They looked to be having a blast, celebrating the release of their 4-track EP, playing that wild bar-frenzy of bluegrass/rock/rockabilly/punk. A brilliant cover of the Velvet Underground's "I'm Waiting for The Man" led to a closing jam with guests Serena Ryder and Lisa Lobsinger joining trumpet player Michael Louis Johnson for "Do What You Do". For more of The Beauties, be sure to drop in at The Dakota Tavern for their weekly Sunday night barn burner.

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As the opening bars of the Top Gun theme played (yes really), Broken Social Scene took to the stage, and didn't stop for about 3 hours. Broken Social Scene is a beautiful, shambling beast with upwards of 20 musicians, each with their own bands and solo albums, coming together to make something wonderful. Members of Metric, Stars, Do Make Think Say, as well as artists like Apostle of Hustle, Feist, Kevin Drew, Jason Collett, and Brendan Canning are all part of the group, and the live shows are always a treat as whomever isn't in the studio or touring themselves tends to show up. One of my favourite "everything is different once I've heard it" albums is Broken Social Scene's "You Forgot it In People"(2002), like nothing I'd heard of at the time. Seeing them play those songs live just gets me every time.

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The set roamed through K/C Accidental and Fire Eye'd Boy, then we started detouring as different members of BSS took turns playing one of their songs. I love that each artist has their own sound, but manage to come together in Broken Social Scene to make something completely different. The air was charged with the sense that it was a special night, with balloons suspended from the ceiling. We were lead in cathartic screams to release all that we held inside, Kevin Drew was funny as he picked on the chatterboxes in the crowd and the VIP deck. And it was a celebration that night, as the band was playing without necessarily plugging any one current project or album. Everyone was just having a good time.

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At times upwards of 20 musicians were on stage, with 5 guitars and full brass blazing away in frenetic anthemic rock. And then Kevin introduces a guest. It's Issac freaking Brock from Modest Mouse. He comes on and they all play "The Good Times Are Killing Me", which makes a pretty good theme to the night.


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A few songs later and the next surprise as Emily Haines of Metric appeared! She's been part of BSS for years, but has been on the road and in the studio with her own band Metric. Her vocals paired with Julie Penners violin made "Anthem for a Seventeen-Year Old Girl" a highlight of the night.

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A quick costume change, and then Brendan Canning came back out bedazzling in gold sequin gym shorts for a grooving disco-rific "Love is New".

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We were encourage to scream - take everything that holds you back, holds you down, makes you anything less than you, and scream that shit out.

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The night culminated in a balloon drop during "Ibi Dreams of Pavement". I've seen Broken Social Scene play a number of times, and this was one of their best nights.

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An appreciative band wrapped up the night, followed by Brendan Canning and a few others came out after most of the crowd cleared out to thank those of us who stuck around. Rita told him "It's my birthday" to which he answered with a kiss of the hand. Class act that guy.

We left the club elated, alive, and ready for whatever happens next.

My photo sets:
The Beauties at Sound Academy

Broken Social Scene at Sound Academy

Setlist: Broken Social Scene Setlist Sound Academy, Toronto, Canada 2008 setlist.fm

And a good video collage of the show:

The Wonder of the Wild: ROM presents the Wildlife Photographer of the Year exhibition.

Curiosity and the Cat / © Hannes Lochner (South Africa) I’ve been visiting the  Royal Ontario Museum regularly, mainly through the Friday N...