It wasn't where I had to be, but it was where I wanted to be. I think that's a good way to approach Sunday mornings.
I've been doing this "February Photo A Day Challenge" that the blog "fat mum slim" organized. There's a list of words that serve as that day's inspiration. Sunday's simply said "10AM". I'm not sure why, but I felt I wanted to try something different other than what would have been a shot of me sleeping normally. I thought I'd give my 10AM some purpose, some thing I hadn't done in a while.I chose to be at Ashbridge's Bay Park at 10am on a Sunday.
I've been drawn to the calmness of walking along the water of Lake Ontario lately. Toronto has a beautiful waterfront and I've found it peaceful to just sit and watch everything flow by. The spot popped into my head as I'd recently found a box of old writing from high school. Back in my senior year, there were a couple nights where I felt I needed to have a good think to clear my head. So I would drive that old Mazda hatchback down the highway, listening to Nirvana's "Nevermind" or the "Singles" soundtrack on cassette, blaring Pearl Jam and Alice in Chains. I'd pull into Ashbridge's Bay Park, park the car, and then walk the boardwalk out to the Waterfront Trail, sit on the rocks and just take in the night and the waves.
It'd been years since I'd done that. Most of my waterfront wandering has been along the west end of the city. With the mild winter weather this year, I thought I'd take advantage and go back to the bay. So I set the alarm, and on Sunday morning, I took a drive down to the park and made that same walk. I found myself at the east end of the waterfront trail. All along the trail, dogs were being walked, kids were jumping from rock to rock as they tried not to touch the ground. I heard the rhythm of a drum and sure enough, two women were down by the water, chanting while they performed a drum ceremony. I thought for a moment of snapping a picture of them for my 10am shot, but I felt it was something intimate that I didn't want to disrupt.
I shot my 10AM shot as I looked back from those same rocks where I used to sit and think:
I had a good wander and snapped a few more.
A little more walking and I found this bench, and its memorial dedication. If you sit there, you see the lake spread before you while the sun warms your face in the dead of winter:
It's funny the things you find when you decide to get up and get out on a Sunday.
Another hour of sitting and looking out at the infinite, and then it was time for pancakes and coffee. Which is where I wanted to be.
On a leisurely Friday afternoon, I took the opportunity to spend some time in one of my favourite Toronto neighborhoods, Roncesvalles Avenue.It's good to see the street humming with life after the past few years struggling with a lot of street construction that hampered local businesses and contributed to a few closing up. There are plenty of new businesses going up, lots of new restaurant life.
I stopped as I usually do at She Said Boom, a second-hand book and music shop. And sure enough, there was that perfect moment when I walked through the door, and that smell of old books and the sound of Jonathan Richman and The Modern Lovers playing "Circle I" on the turntable combined to hit me all at once. I left the shop with a copy of the novel "The Amazing Absorbing Boy" by Rabindranath Maharaj, and of course, the record they were playing when I walked in, "Modern 88". That's not the first time that's happned there, and it won't be the last.
I walked down the avenue, an unusually mild winter day. Shops had their flowers and fruit on display. A low rider bike pedaled up the avenue, towing a child carrier behind it. I ducked my head into a few other shops, picked up an outstanding latte from Cherry Bomb Coffee, and made my way down to the lake. If you walk long enough, far enough, you reach water.
Winter took the day off, and I found a bench at Sunnsyside Beach to watch the water and world go by. Joggers ran the boardwalk. Cyclists rode the path. I was met by birds paddling in the lake. A pair of swans seemed out of place in the January sun, but there they were:
I was reminded of something a friend said the other night, on a much colder occasion. She piled up her winter jacket, bag, scarf, and all the things required to endure winter. She observed winter takes up a lot of space. Today, winter took the day off, lifting its burden of all the things that take up so much space.
I had my music turned off, choosing to just sit and indulge in the meditation that comes from listening to the rhythm of waves reaching the shore.
Everything flows, everything breathes. It was a good day.
Toronto photographer Jeff Harris has been taking a self-portrait every day for the past 14 years, no matter what the day brings. Time.com has a video about the project. Just warning you, he shares everything of himself including his surgery, but he perseveres. Utterly moving.
"The images range from completely solitary, auto-timed self-portraits to photographs inspired by a collaborative spirit with whomever Harris encounters on a given day. Regardless of the mood, location or activity at the center of any given image in the series, they all show a marvelously open and generous approach to both diaristically recording and sharing everything from intimate moments to athletic adventures with a wider audience. In fact, Harris evokes the full range of physical experiences a body can encounter: from mundane inactivity to joyful dives to his body being open on the operating table."
This video came to light via the Metro Morning program on CBC Radio One.Visit jeffharris.org to see the project in its entirety. Harris also has an interactive Journal
that allows readers to submit writing about a day from their life.
Their stories are juxtaposed with his self portrait from that same day.
First post of 2012. And, as it's on my resolutions to try to start posting on here again, the first of many I hope.
I'm going to work on being a bit more productive on here. I've been focusing on my worklife a bit more recently, but I miss this blog. So yeah, I think you'll see me on here more often.
If I had any resolution advice, it would be this:
1) Keep it achievable
Got a goal? Great! How do you plan to get their, wishing? Make a plan, break that goal into achievable small steps.
2) Don't take on too much too soon.
Ever make that resolution to hit the gym, then jump in to 3 sessions a week and give up by March? If you don't have a great track record, start slow and build up. If it's a gym program, start once a week. You'll start to feel good after a few weeks and start going more often. If it's to learn to cook, don't jump straight to stuffing a chicken. Start with the basics. A goal broken down into small parts is more likely to be completed.
3) Blab about it
We feel obligated to reach our goals if you publicize and talk about them. It makes us accountable.
4) Don't do ALL the things at once.
Related to #2, but if you have more than one resolution, who says you need to do them all right from the start of the year. Set a resolution or goal for each month or each quarter of the year. Incremental change can add up and is easier to achieve.
I've never been a self-help book guy, but if there's one book I think I'm going to be using a lot this year to reach goals, it's Nerdist Way, The: How to Reach the Next Level (In Real Life). It's a productivity book for creative nerd brained people. You know that part of you that obsesses about beating a video game or collecting things or obsessing over fantasy leaques? Why can't you apply that to the real world and gamify your life so you can view life-goals as levels, bosses, and achievements? It's written by comedian/podcaster Chris Hardwick (aka Nerdist), who has done a remarkable and inspiring job of getting his shit together from his days as a drunk slovenly former MTV gameshow host to a man doing what he loves, feeling good about himself, and providing a platform, be it book or podcast or Nerdist.com, for others to succeed.
I've chatted about it before, and you don't need to take the whole thing as "a program", but there's some great things in there about dealing with anxiety and panic attacks, ignoring self-doubt, how to map your goals, how to realistically get there, time management and finances. You take away from it the parts you find relevant. There are 3 sections: Mind, Body, and Time, but taking a browse through chapter headings may give you a clearer idea what it's about:
RPG Your Life
Seize Your Inner Monologue
Choo-Choo-Choosing
Body: The Getting Off Your Butt Part
Becoming An Evil Genius
I've come to listen to Chris Hardwick through the Nerdist podcast, and his humour, enthusiasm, and his passionate "life is pretty amazingly phenomenal when you get off the couch and TRY" approach to life comes through his book.
I've got a notepad I'm going to work on this week, figure out what version of myself I want to be in the coming year and how to reach that place. I'll share some of that up here (see #3), some of it I won't.
If there's one picture of mine that I come back to that made an impression this year, it's this one. And if you make a New Year's Resolution for 2012, even just one, make it this: "love is better than anger. Hope is
better than fear. Optimism is better than despair. So let us be loving,
hopeful and optimistic. And we’ll change the world." - Jack Layton
Nice news to wake up to after watching Arcade Fire win the Best Album at the Grammys: Radiohead are gunning for the 2012 award and have sprung their new album upon us. Titled "THE KING OF LIMBS", you can pre-order either digital or special album packages with a download date of Saturday February 19th. The album hits stores March 28th.
Radiohead have been successful with this quick turnaround before with "IN RAINBOWS", by getting the album out as quickly as possible after completion and limiting the window where it may leak online before the street date.
Whooo! Seeing Stars tonight at Massey Hall! It's been a pleasure seeing them play many times in all types of venues, but playing Massey Hall is kind of special.
I tend to get a little photo-happy at Stars shows. I can't help it, they put on a great live show with a deep songbook of emotional, joyous pop. And it's hard to find a better, more charming duo than Torquil Campbell and Amy Milan.
Considering it's only 5 years old, Nuit Blanche has certainly made an impression on Toronto. And just as we always, there's highlights and things to improve.
The Task by Chris Shepherd proves to be one of the most fascinating projects I saw that night. A man stacks and unstacks cement blocks all night. It's not in the effort of building anything, but simply the task. Nothing will be built, nothing destroyed.
Big O by Žilvinas Kempinas. Like The Task, it was beautiful in its simple concept: a loop of magnetic tape precariously balanced between a series of fans. It wavers, it flows, but still remains aloft. It's like some simple game we played as children, growing anxious every time it touches the floor that the game will be over.
So what to improve on for next year? Well, there's the annual complaining about drunks and crowds, but not much can be changed about that: it's a public event. If it can't be changed at homecoming, it won't be changed much here.
For constructive criticism that's actually realistic, I found Torontoist had a good list of ideas to improve the event next year:
I liked their suggestion to close off Queen: closing Yonge was a new change for Nuit Blanche which I hope to see next year, but it's time to consider closing Queen Street to traffic from Church to Dufferin. With so much foot traffic going through, it was impossible for streetcars to get through. Close off Queen, make Dundas and King "streetcar only" and make the TTC free for the night.
It's all night, not late night: as in previous years, I found myself at 4am standing where an installation should have been, only to find they pulled up stakes and left. And some of the installations, such as Koerner Hall, were merely on auto-pilot with pre-recorded music playing on a player piano. If the event is marketed as "until sunrise", we'd count on the installations to still be there until sunrise. I especially admire installations which are designed to reach their climax at dawn.
Nuit Navigating: this was the first time using the Nuit Navigator on my iPhone. I stand by the hope that the Toronto International Film Festival adopt a similar app, but while I found the Navigator handy for planning, I wasn't using it as much that night aside from the occasional GPS check. Part of that was it didn't seem the app was compatible with the new multitasking OS for the iPhone, causing me to restart the app every time I used it - I can understand how that happened, probably not much time to update the program given the new system was a late summer release. But I found in order to access the "My Night" planner, I had to log in each and every time I started the app. If that kink can be worked out, all the better.
Another idea would be to integrate the My Night into the maps - show pins for all the installations, use a different colour for the installations corresponding to the My Night planner, and give us the ability to "check" off installations as we go.
Best advice learned from that night? If you intend to last the 12 hour event, stick to water and coffee, skip the energy drinks and alcohol. The latter two make you crash pretty hard - in previous years, around the 4am mark. Seeing a few installations and then taking a late dinner break also helped too.
Each year Nuit Blanche evolves, and they listen to public feedback. If you have some suggestions, be sure to let them know. Myself, I definitely will be diving into to next year.
Feeling re-energized by Daniel Lanois's performance, 3am seemed like a good time to visit the installations along Bloor Street in Zone A. One subway ride later, and we arrived at the Royal Conservatory of Music.
At the RCM and the lush lights of Aurora continues to draw audiences in (a5); calming by the2scoops via iPhone at 10/3/2010 7:28:28 AM3:28 AM Sunday, October 03, 2010
The atrium of the Royal Conservatory of Music was filled with these remarkable creations, with calm waves of light and sound reacting to the crowds passing underneath. Aurora was created by Philip Beesley Architect Inc. as "a responsive forest of light". The mechanics of it looked fascinating, but what we found ourselves in was a technological Northern Lights as we were washed in strangely calming sounds.
We made our way to the auditorium of the Royal Conservatory of Music, hoping to find some live performance, but only to find a player piano on stage. It was the first of many disappointing installations that seemed to shut down before the sunrise. Some installations closed not by choice, such asIskootāo, a performance in the heart of Yorkville that was reportedly ended after noise complaints from a neighbourhood condo. Some installations just seemed to pull up stakes early, such asKortuneFookie, which was nowhere to be found at 4:30am.
Finally got a look at Lower Bay Station. Sadly no Starbucks built yet by the2scoops via iPhone at 10/3/2010 8:14:16 AM4:14 AM Sunday, October 03, 2010
One installation that was open and still drawing an audience was the Interactive landscape Dune set in Lower Bay Subway station. A relic of a 3-line subway plan that was never implemented (Wikipedia - Lower Bay Station), Lower Bay Station is seldom open to the general public. But for Nuit Blanche, it was opened up and turned into "an interactive landscape of light".
The lights resembled a wetland full of glowing bullrushes and flickered with each noise from the audience, but the real show was when the subway trains passed above through Bay Station.
Only our 2nd coffee of the night, the hopping the subway down to the TIFF Lightbox in Zone C by the2scoops via iPhone at 4:46 AM Sunday, October 03, 2010
By 5am, the streets had taken on the air of post-apocalyptic zombie movie. Survivors staggered the streets, in search of the installations still open. Empty cans of energy drink piled into the gutters. As much as we wanted to check back in to some of the Zone C exhibits like Erik Satie’s Vexations (1893) and The Task, but we likely only had enough energy to take in one more stop. For us, our goal was to check out the brand new Bell Lightbox complex at King and John. By all reports, the new home to the Toronto International Film Festival was a stunning addition to Toronto, and I hadn't had a chance to see it yet.
The building was, as promised, a testament to film. We found ourselves in a beautiful, bright space, warmly greeted by the volunteers. We took a peek at the The Essential Cinema exhibit and grabbed a seat for some stunningly disturbed clips from their Grindbox! trailer screening (Make Them Die Slowly is a very messed up film that surely influenced the Saw series).
Shaking off the Grindbox, we sat down in the cinema that was home to Singin' in the Dark. Early in the night, a host was rowsing the crowd in a singalong to traditional movie musicals, and later more eclectic selections. By 6am, the audience was comfortable just taking in the clips, laughing and cheering the stranger selections. At the start, we had scenes from "Reservoir Dogs" and "Blue Velvet", charming clips from "500 Days of Summer" and "Almost Famous", and then just outright weird clips like "Clockwork Orange". To end the show, and the clip that finally got some singing from the crowd (or at least me), it was Always Look On The Bright Side of Life from "Life of Brian".
As we were leaving the Lightbox, a volunteer asked if we had seen the Atom Egoyan's 8 ½ Screens. It wasn't really on our radar, but was part of the exhibits marking the opening of the Lightbox. We told the volunteer no, and he in turn responded like we needed to catch the last helicopter out of Saigon. "It's your last chance, it closes tonight! Go, run to the elevator!!!!"
And you know, he was right, it was pretty spectacular. The cinema experience is inverted: from a projector mounted on the stage in front of the main screen, a key sequence from Federico Fellini’s 8 1/2 is shown. It flickers out into the cinema seats where various screens in all shapes and forms are hung.
It was something very unique to see, and we would have missed out on something cool if we hadn't listened to the volunteer. We made sure to thank him for his enthusiastic directions on the way out.
Thanks to all for a terrific Nuit Blanche. And with the last notes and the first glow of sunrise, adieu by the2scoops via iPhone at 6:49 AM Sunday, October 03, 2010
As the sky glowed with the pre-dawn, we passed through Nathan Phillips Square where Daniel Lanois was overseeing the teardown of his installation. Within an hour or so, the city would be restored to its normal state, and bleary eyed, despite a mixed bag of an evening, I absolutely look forward to the next year.
The morning was creeping up on us, and I was looking forward to taking advantage of a late checkout time from the Metropolitan Hotel, and all-day breakfast at a favourite diner.
I'll post a little wrap-up tomorrow with some final thoughts on Scotiabank Nuit Blanche 2010.
The hours between 11pm and midnight were not kind to us.
We fought our way north for the better part of an hour, browsing the Atrium on Bay and make it into Ryerson. By now the crowds were thick with drunken partiers, giving the night a bacchanalian flavour. And I don't mean that as a compliment. The streets were noticeably strewn with garbage, discarded samples from the corporate advertisers. The exhibits around Ryerson were, for the most part, underwhelming in scale and our Plan B falls apart when I couldn't find any sign of the shuttle to The Distillery District. All in all, about an hour and a half bogged down in the crowds, nothing "cool" seen, and the wind starting to flag from our sails.
But there's hope yet. We dove straight for two of the installations put on by well-known musicians. Sight Unseen was the more abstract of the two, from Lee Ranado of the band Sonic Youth and Leah Singer creating a fluid musical and visual landscape within the confines of the Old City Hall. Then it was on to Nathan Phillips Square.
Packed in at B1 Later At The Drive-in w/ Daniel Lanois & friends drawing us in by the2scoops via iPhone at 10/3/2010 4:58:59 AM12:58 AM Sunday, October 03, 2010
Daniel Lanois's installation Later That Night At The Drive-In turned Nathan Phillips Square into his personal canvas: screens and speakers of every shape and size filled transformed the square into a forest of sound, abstract video collages playing. We made our way to the small stage set up in the heart of the installation where we found the man himself at work. Every hour or so, Daniel Lanois and friends would play a few songs, their images projected onto the screens. It was like seeing him jam a house party that he invited a few thousand close friends to.
Considering this is only its 5th year, Nuit Blanche has become a Toronto mainstay in a relatively short time. I think it's the romance of the concept: 12 hours from sunset to sunrise when the city is teeming with people until the wee hours, roaming the streets in search of art and spectacle. And like any romance, there's good (witnessing a city at play, seeing the gleam of discovery in people's eyes) and the bad (the drunks, navigating the crowds, not every installation connects with me). But every year, the streets are thriving and alive at 4am and I want to be a part of that.
This year I served as one of the Nuit Narrators for the event, sharing the night as I went. It proved to be a great motivator for staying out for the whole event. Also, it helped piece together the next afternoon after 4 hours sleep.
If you want a few tips for getting through the night: wear good walking shoes, dress in layers, and pack some supplies. On the supply side, packing light is good as you're on the move and need to maneuver through the crowds.
6:51pm all signed in at the Scotiabank Nuit Blanche centre at Yonge and Dundas. One of the changes this year was Yonge Street being closed to traffic from Bloor to Front Street, and it proved to be a highlight, walking down the middle of the road at 7pm. Pedestrians turned out in the thousands to take advantage of the festivities. Woe unto any drivers who didn't get the memo.
By 7:15PM I've met up with my partner in Nuit, Ms Rita, and we're off into the night. It takes a little while to come up with a plan of action: the challenges are 1) don't miss anything cool; and 2) avoid those areas that get clogged with crowds. You'll see later I forget about #2.
We decide to plunge south into Zone C, curated by Christof Migone. When the exhibition is named "SHOULD I STAY OR SHOULD I GO", how can I resist.
Auto Lamp, C1 shining into the night. Ms Rita wants to make it into a Lite Brite
by the2scoops via iPhone at Saturday, October 02, 2010 8:00:51 PM
7:45PM we reach Yonge and Queen and the sun's gone down. The twilight is all the better to take in Auto Lamp by Kim Adams.
A van turned into a landlocked lighthouse, it's skin punctured with holes and insides filled with light. It shines out into the night:
"The vehicle's consistency is compromised, it's barely there, it's more holes than whole. "
C2 scape with 6 and 7 sound installation sounds like it's stalking us, the sound of breathing altered into something menacing
by the2scoops via iPhone at Saturday, October 02, 2010 8:31:46 PM
C14 The Task at 8:32pm moving bricks back and forth all night without building anything. An endurance test?
by the2scoops via iPhone at Saturday, October 02, 2010 8:34:25 PM
South of Adelaide we find one of the open call projects selected by the curator. The Task by Chris Shepherd proves to be one of the most fascinating projects I saw that night. A man stacks and unstacks cement blocks all night. It's not in the effort of building anything, but simply the task. Nothing will be built, nothing destroyed.
We talked with the artist, Chris Shepherd, about how the repetition of the task is a meditative thing, as much mental as physical. He found the murmer of the crowds akin to white noise, nice and comforting. Chris wasn't doing the task for a purpose, "I'm just doing it because I want to do it."
C13 Wait Until You See ... I can't spoil what's behind the curtain by the2scoops via iPhone at Saturday, October 02, 2010 8:46:40 PM
As a perk of my role as Nuit Narrator, I was given a media pass that allowed us to bypass any lines and head straight in to an installation. At "Wait Until You See This", my "skip the line" media pass was my undoing. This installation was based on the idea of lining up, the anticipation. And when you line up for 5, 10, 30 minutes, and finally peek behind the curtain?
Well, I skipped the line and wait straight in, to see what everyone else would eventually see: nothing.
My reaction was amusement, but what would my reaction be if I had waited like the piece intended me to?
Wedged between two buildings, three enormous inflatable clown heads.
Creepy but satisfyingly held at a distance, stuck with no place to go. One of the most popularly photographed installations at Nuit Blanche.
C10 1850 where the waters of Lake Ont reached by the2scoops via iPhone at Saturday, October 02, 2010 9:08:25 PM
At the southern tip of Zone C, we arrive at the point where Lake Ontario once reached. The water once stretched inland to Front. Those days are gone, but the shimmer of blue lights creates a ghost of that long gone time.
C9 Vexations the cycle continues song, sculpture, song ,sculpture by the2scoops via iPhone at Saturday, October 02, 2010 9:18:16 PM
I seemed drawn to these installations themed around repetition and time. Vexations was a remarkable project. Built around a composition which instructs the player to play 840 repetitions, this installation had to accomplish the task in 12 hours. 2 pianists, 12 hours, each of the 840 repetitions printed on an individual sheets which, after playing, were taken and transformed into a paper sculpture.
by the2scoops at Saturday, October 02, 2010 9:34:28 PM
In the Bay Adelaide Centre we found what was one of my favourite installations, Big O by Žilvinas Kempinas. Like The Task, it was beautiful in its simple concept: a loop of magnetic tape precariously balanced between a series of fans. It wavers, it flows, but still remains aloft. It's like some simple game we played as children, growing anxious every time it touches the floor that the game will be over.
Area around Ryerson is crowded, prob a good time to check out The Distillery District by the2scoops via iPhone at 12:16 AM Sunday, October 03, 2010
Greatly pleased by the pieces we found in Zone C, we take a break for food, and that's when we're struck by indecision: it's 10:30pm, either we head back into the main zones where it's likely the crowds are out, or head to one of the outlying areas like Liberty Village or The Distillery District. We decided to check out the exhibits around Ryerson University, which in retrospect was a wrong turn.
It's the 5th Annual Scotiabank Nuit Blanche tonight, with Toronto awash in public art and people from 7pm Saturday until 7am Sunday. As I have done for the 3 previous Nuit Blanche events, I'll be out and about. What's new this year is that I've been selected by the City of Toronto to be one of their Nuit Narrators, providing live updates, tweets, photos and commentary throughout the night. I'm one of 10 narrators, with all our content pulled up under the dedicated Nuit Narrator stream.
To follow the Nuit Narrator stream, either while you're on the streets or from home, go to:
You can be a part of the action to with the Nuit Nation stream. This is the moderated stream where the public provides the content from various avenues:
TWEET: use #snbTO (other Nuit events are happening around the world, so this is the hashtag to identify the Toronto event) and the tweet will enter the moderated stream
EMAIL: send messages and photos to share@scribblelive.com
Makes you with some other big Toronto events that have you running all over would get something like this. (Toronto International Film Festival, I'm looking at you.)
So a little housekeeping before I dive back into this blog. I know I've been off for a bit, and that's just life getting higher priority for a bit. But I think I'm back for a while here now. I'm going to keep blogging newer things, but also dive back a bit and fill in some blank spots that I missed during my absence. Anyway, for those that stuck around, thanks. For all those newbies, welcome.
It's chilly out there this Valentine's weekend. What better way to warm up with your sweetie this Saturday night then taking in the newest show from Toronto's premiere cabaret burlesque troupe, Les Coquettes, in a show they call Love Story.
With the ladies and gentlemen of Les Coquettes, your guaranteed to be tantalized. I was first swayed by their charms at the Spiegel show at Harbourfront in summer 2007, where I described the troupe as "playful, bawdy, lusty, and glamorous performance; choreographed titillation in beautiful costumes, with the women (and guy) enticing the audience with the old “you give them a little bit, you take it back; you show them a little more, you take it back”. They put the tease in striptease".
Can you think of any group better suited to tell you a Love Story?
On Valentines’ weekend, Toronto’s premiere cabaret burlesque troupe weaves together some of history’s greatest tales of love. Experience the triumph and heartache in an evening of song, dance, striptease and cirque.
One night only! Two spectacular shows! Bring your sweetie! Meet your soul mate! Sit between your wife and... girlfriend and hope they hit it off!
credit Ryan Visima for the above 2 photos
Saturday February 13th The LOT 100A Ossington Avenue Early Show - 7:00 pm Lounge open at 6:00 Late Show – 9:30 pm Tickets - $25-50* To order tickets please visit http://www.lescoquettes.com
* $50 VIP tickets for this fundraiser include priority seating at a cabaret table and a complimentary specialty cocktail. Tax receipts for $25 available upon request.
Last Wednesday I was lucky enough to score a ticket to Andy Kim's annual Christmas show at the Mod Club. It's a great event to get that sense of the holidays - musicians giving their time to come together, play some music, all for the sake of charity and friendship. This year, the proceeds were going to the Regent Park School of Music, "one of Toronto's foremost independent non-profit community music school with a mandate to provide a safe and secure environment where inner-city young people can participate in an affordable after-school music program. "
And what a great mix of a line-up. Andy Kim, iconic Canadian singer-songwriter, known best for writing "Sugar Sugar' for The Archies and singing his own hits like "Rock Me Gently". He was joined by a great band, including Derek Downham, a local musican who's immense talent is only surpassed by his willingness to give of himself. Andy Kim hosted and sang all night, and damned if it wasn't fun to sing along with him at the top of your lungs.
Andy Kim's show always manages to draw together a collection of local indie musicians and Canadian musical stalwarts. Among the performers that night were The Beauties, Broken Social Scene, Gentleman Reg, and Kim Mitchell. A lot of talented folks there. Most turned in 2 or 3 song sets, with Andy and the band coming out to play a few songs between sets. A highlight was a moving tribute video to the recently passed Haydain Neale that had the room enraptured and more than a few in tears.
Here are some highlight videos:
The Beauties cover the classic Pogues tune "Fairytale of New York", with Samantha Martin playing Kirsty MacColl to Shawn Creamer's Shane MacGowan.
Broken Social Scene grooving on "Love Is New".
Broken Social Scene opened their 3-song set wanting to give the crowd a holiday tune, so they rolled out the new tune "Sweetest Kill". It was fun to see them rock a room full of CFRB listeners and staffers.
The finale saw Andy Kim leading the crowd in "Rock Me Gently", joined by members of Broken Social Scene and The Beauties. Everyone was just having a blast
I usually grumble at this time of year at how slow I seem to gather my holiday spirit, but the Andy Kim show was the tonic for that. The good will, charity, and energy of the musicians and the fans who made it out that night was infectious. Hopefully that'll rub off on the crowd as they go out into their lives, giving a little more of themselves than usual.
Wow! Canadian record label Arts & Crafts is handing out a treat. Until Halloween, you can download Timber Timbre's ridiculously good self-titled album Timber Timbre for free.
From now until midnight on Saturday October 31, 2009, you can download the entire breakthrough, critically acclaimed, self-titled album Timber Timbre for FREE.
We encourage you to listen to the album that KCRW (where you can hear them live this Wednesday October 28) raves, "Timber Timbre takes on the topic of love but presents it in a cloak of macabre beauty that is perfect for the Halloween season. Songs full of eerie sounds, dark imagery and ghoulish lyrics will make for a spellbinding session on Morning Becomes Eclectic."
A long-list nominee for the 2009 Polaris Music Prize, Timber Timbre was heralded by the Canadian press since its release this summer on Arts & Crafts. Playing CMJ last week, Time Out New York wrote that Timber Timbre was "the standout act" describing their set as "powerfully dark, even eerie folk tracks (which) managed to keep the crowd positively awed.” The Village Voice called them a "uniquely creepy beauty".
Click the link above to discover (for free!!) the album Toronto's Eye Weekly has already called, "The Album Of the Year".
Just in time for fall, and definitely an album that serves as a ideal soundtrack for this time of year.
When the Polaris Prize shortlist was announced, one of the most glaring omissions, at least from the folks I talk to, was Timber Timbre's album. Just follow this link to the Timber Timbre's site and download one of the most acclaimed Canadian albums of the past year: FREE Timber Timbre album
Timber Timbre's touring around a bit right now. The next Toronto date is part of the up and coming "Make Some Noise" festival at the North York Central Library, part of a terrific movement to place more Canadian music into public libraries. Timber Timbre and Bruce Peninsula play at North York Central Library, 5120 Yonge St. (North York Centre subway) on Saturday, November 7, at 8 p.m.
The rest of the tour dates are here, with stops in Los Angeles, New York and the Black Sheep Inn in Wakefield QC.
The Tom Fun Orchestra hit Toronto on Thursday night for a show at the Horseshoe Tavern. Get into the mood for their raucous live show with this charming animated video for "Throw Me To The Rats". If you need more of a Tom Fun fix (or can't manage to part with the $8 cover), you can also see the Tom Fun Orchestra play a game of "how many musicians can we fit on a stage" tomorrow as the band perform at a free in-store gig at Criminal Records on Queen Street West at 6pm.
"I’ve got my rum & I’ve got my tequila, I’ve got somewhere to be"
If your last name is Fun, you better live up to it. And if you're fronting an eight-piece gang of musicians from Cape Breton, you best know how to get the feet movin' boy. A couple tracks into their debut album You Will Land With A Thud and I knew I wanted to be in any live venue where The Tom Fun Orchestra was holding court.
The Tom Fun Orchestra hail from Canada's east coast, and you can hear the Celtic-Maritimer heart pounding a beat through every song, a mix of camaraderie, pride, and joy. The TFO seems on the brink of a musical riot, with this banjo, trumpet, violin, accordion and guitars. But it just lends itself to this feeling like being at a kitchen party where everyone's brought an instrument. Everything seem nice and civil at first. There's the slow exhale of an accordion, the harmonic pairing of a violin and trumpet. Banjos and guitar join in, picking up locomotive speed, things get more boisterous, and by the time singer Tom Fun's whiskey and sandpaper voice leads the charge, the party's in full swing, you're spinning a dance with your new best friends, and barely notice nor care that your dining room set ended up in the street.
The TFO has developed a bit of a rep for a raucous live show, and you can hear that joyous din on You Will Land With A Thud. The opening track is a slow lament, “When You Were Mine”, but by the second track “Rum & Tequila”, you've turned your back on your troubles and found music to drive the feet and choruses that will have you singing back at the band. It's an album of bold music that's best heard loudly, and in good company. The song lyrics read like poetry scrawled in a yellowed note book, sometimes a rallying shout, sometimes warm comfort against cold regrets.
The Tom Fun Orchestra is closing out their summer tour with a number of dates in Southern Ontario and Montreal:
31 Jul 2009 - Montreal House - Peterborough, Ontario 1 Aug 2009 - Phog Lounge - Windsor, Ontario 3 Aug 2009 - The Casbah - Hamilton, Ontario 4 Aug 2009 - Vinyl - Guelph, Ontario 6 Aug 2009 - The Horseshoe Tavern - Toronto, Ontario 7 Aug 2009 - Merritt Park - Welland, Ontario 8 Aug 2009 - Divan Orange - Montreal, Quebec
Contest: I have a 2 tickets to The Tom Fun Orchestra at The Horseshoe Tavern, Toronto on Thursday August 6th, plus a CD copy of You Will Land With A Thud.
To enter, email me at the2scoops.contests AT gmail.com with the subject line: “I want some Tom Fun”, along with your full name and email in the body. Deadline is 11:59 pm on Monday, August 3rd. Please be sure you're able to be in Toronto that night. It promises to be a great night of music with Toronto band The Coast opening – I'm always glad for a chance to hear those guys play live.
If you're a fan of kitchen parties, The Pogues, Spirit of The West or The Mighty Mighty Bosstones, or ever wondered what would have happened if Tom Waits grew up as an East Coast Canadian, check out The Tom Fun Orchestra.
. It's a productivity book for creative nerd brained people. You know that part of you that obsesses about beating a video game or collecting things or obsessing over fantasy leaques? Why can't you apply that to the real world and gamify your life so you can view life-goals as levels, bosses, and achievements? It's written by comedian/podcaster Chris Hardwick (aka 
